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ntil the fourteenth century the stone benches ranged against the walls were the only seats provided. Even as late as the fourteenth century it does not appear that many churches had pews, but in the fifteenth they became general. The hideous monstrosities of post-Reformation times did not then disfigure our churches. The pews were low open seats made of oak, sometimes carved at the back, and panelled, with the ends higher than the rest, and often richly carved. Many rich men left money in their wills for the _puying_ of churches. [Illustration: ANCIENT PEW-WORK, TYSOE CHURCH, WARWICKSHIRE] It was not until the beginning of the seventeenth century that the fashion of erecting high pews set in, which so disfigured our churches, and were frequently censured by the authorities. Some of these (as at Whalley) resemble four-posted beds; others are like cattle-pens, large square boxes with seats all round, wherein the occupants sit and sleep, screened from the rest of the congregation. The carving of the woodwork of these erections is often very elaborate. Modern pews are happily based upon the more primitive fashion. Preaching not being considered such an important part of the service in pre-Reformation times, pulpits in churches of that period were not so usual as in modern churches. Monastic refectories had pulpits, which the reader occupied when he read to his brethren during meals. Beaulieu Abbey has the most ancient pulpit in this country, which evidently belongs to the thirteenth century. The churches of Devonshire and Norfolk have wooden pulpits of the fifteenth century, which were painted and gilded, the figures of the four doctors of the church--SS. Augustine, Ambrose, Gregory, and Jerome--being the favourite subjects. In 1603 the churchwardens were ordered to provide in every church "a comely and decent pulpit." Hence most of our pulpits date from this period. The sides were panelled and carved with scrollwork; and at the same time a sounding-board was introduced. Occasionally the hour-glass which regulated the length of the preacher's discourse remains, with its beautiful scroll-worked stand. The most striking feature of the pre-Reformation Church was the rood-loft, a narrow long gallery above the beautifully decorated screen, which separated the chancel from the nave. In this loft was erected the rood, or figure of our blessed Lord on the cross, together with figures of the Virgin and St. John on each sid
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