ntil the fourteenth century the stone benches ranged
against the walls were the only seats provided. Even as late as the
fourteenth century it does not appear that many churches had pews, but
in the fifteenth they became general. The hideous monstrosities of
post-Reformation times did not then disfigure our churches. The pews
were low open seats made of oak, sometimes carved at the back, and
panelled, with the ends higher than the rest, and often richly carved.
Many rich men left money in their wills for the _puying_ of churches.
[Illustration: ANCIENT PEW-WORK, TYSOE CHURCH, WARWICKSHIRE]
It was not until the beginning of the seventeenth century that the
fashion of erecting high pews set in, which so disfigured our churches,
and were frequently censured by the authorities. Some of these (as at
Whalley) resemble four-posted beds; others are like cattle-pens, large
square boxes with seats all round, wherein the occupants sit and sleep,
screened from the rest of the congregation. The carving of the woodwork
of these erections is often very elaborate. Modern pews are happily
based upon the more primitive fashion.
Preaching not being considered such an important part of the service in
pre-Reformation times, pulpits in churches of that period were not so
usual as in modern churches. Monastic refectories had pulpits, which the
reader occupied when he read to his brethren during meals. Beaulieu
Abbey has the most ancient pulpit in this country, which evidently
belongs to the thirteenth century.
The churches of Devonshire and Norfolk have wooden pulpits of the
fifteenth century, which were painted and gilded, the figures of the
four doctors of the church--SS. Augustine, Ambrose, Gregory, and
Jerome--being the favourite subjects. In 1603 the churchwardens were
ordered to provide in every church "a comely and decent pulpit." Hence
most of our pulpits date from this period. The sides were panelled and
carved with scrollwork; and at the same time a sounding-board was
introduced. Occasionally the hour-glass which regulated the length of
the preacher's discourse remains, with its beautiful scroll-worked
stand.
The most striking feature of the pre-Reformation Church was the
rood-loft, a narrow long gallery above the beautifully decorated screen,
which separated the chancel from the nave. In this loft was erected the
rood, or figure of our blessed Lord on the cross, together with figures
of the Virgin and St. John on each sid
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