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rious encounter had finished. Lances, or spears without heads of iron, were commonly used, and the object of the sport was to ride hard against one's adversary and strike him with the spear upon the front of the helmet, so as to beat him backwards from his horse, or break the spear. This kind of sport was of course rather dangerous, and men sometimes lost their lives at these encounters. In order to lessen the risk and danger of the two horses running into each other when the knights charged, a boarded railing was erected in the midst of the lists, about four or five feet high. The combatants rode on separate sides of this barrier, and therefore they could not encounter each other except with their lances. Sometimes two knights would fight in mortal combat. If one knight accused the other of crime or dishonour, the latter might challenge him to fight with swords or lances; and, according to the superstition of the times, the victor was considered to be the one who spoke the truth. But this ordeal combat was far removed from the domain of sport. When jousts and tournaments were abandoned, tilting on horseback at a ring became a favourite courtly amusement. A ring was suspended on a level with the eye of the rider; and the sport consisted in riding towards the ring, and sending the point of a lance through it, and so bearing it away. Great skill was required to accomplish this surely and gracefully. Ascham, a writer in the sixteenth century, tells us what accomplishments were required from the complete English gentleman of the period:-- "To ride comely, to run fair at the tilt or ring, to play at all weapons, to shoot fair in bow, or surely in gun; to vault lustily, to run, to leap, to wrestle, to swim, to dance comely, to sing, and play of instruments cunningly; to hawk, to hunt, to play at tennis, and all pastimes generally which be joined to labour, containing either some fit exercises for war, or some pleasant pastime for peace--these be not only comely and decent, but also very necessary for a courtly gentleman to use." In the days of pageants and royal progresses these old castles were the scenes of very lively exhibitions of rustic histrionic talent. The stories of Greek and Roman mythology were ransacked to provide scenes and subjects for the rural pageant. Shepherds and shepherdesses, gods and goddesses, clowns and mummers, all took part in the rural drama which kings and queens delighted to honour. When Qu
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