rious encounter
had finished. Lances, or spears without heads of iron, were commonly
used, and the object of the sport was to ride hard against one's
adversary and strike him with the spear upon the front of the helmet, so
as to beat him backwards from his horse, or break the spear. This kind
of sport was of course rather dangerous, and men sometimes lost their
lives at these encounters. In order to lessen the risk and danger of the
two horses running into each other when the knights charged, a boarded
railing was erected in the midst of the lists, about four or five feet
high. The combatants rode on separate sides of this barrier, and
therefore they could not encounter each other except with their lances.
Sometimes two knights would fight in mortal combat. If one knight
accused the other of crime or dishonour, the latter might challenge him
to fight with swords or lances; and, according to the superstition of
the times, the victor was considered to be the one who spoke the truth.
But this ordeal combat was far removed from the domain of sport.
When jousts and tournaments were abandoned, tilting on horseback at a
ring became a favourite courtly amusement. A ring was suspended on a
level with the eye of the rider; and the sport consisted in riding
towards the ring, and sending the point of a lance through it, and so
bearing it away. Great skill was required to accomplish this surely and
gracefully. Ascham, a writer in the sixteenth century, tells us what
accomplishments were required from the complete English gentleman of the
period:--
"To ride comely, to run fair at the tilt or ring, to play at all
weapons, to shoot fair in bow, or surely in gun; to vault lustily, to
run, to leap, to wrestle, to swim, to dance comely, to sing, and play of
instruments cunningly; to hawk, to hunt, to play at tennis, and all
pastimes generally which be joined to labour, containing either some fit
exercises for war, or some pleasant pastime for peace--these be not only
comely and decent, but also very necessary for a courtly gentleman to
use."
In the days of pageants and royal progresses these old castles were the
scenes of very lively exhibitions of rustic histrionic talent. The
stories of Greek and Roman mythology were ransacked to provide scenes
and subjects for the rural pageant. Shepherds and shepherdesses, gods
and goddesses, clowns and mummers, all took part in the rural drama
which kings and queens delighted to honour. When Qu
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