ighteenth. At all times the North had
fretted under the antipathetic yoke of the South. Under the Romans,
Germany, though frequently conquered, had never been subdued. She had
invaded the Empire and determined its fall. In the Middle Ages the
struggle had continued; not only instincts, but ideas, were in conflict;
force and spirit, violence and polity, feudalism and the Catholic
hierarchy, hereditary and elective forms, represented the opposition of
two races. In the sixteenth century the schism long anticipated took
place. The Catholic dogma had hitherto triumphed over all outbreaks--
over Arnaldo of Brescia, the Waldenses, and Wickliffe. But Luther
appeared, and the work was accomplished: Catholic unity was broken.

And this breaking with authority went on fermenting in the nations till
its last great outburst at the French Revolution; and Schiller was born
at this convulsive period, and bears strong traces of his parentage in
his anti-dogmatic spirit.

Yet there is another side to Germanism which is prone to the ideal and
the mystical, and bears still the trace of those lovely legends of
mediaeval growth to which we have adverted. For Christianity was not a
foreign and antagonistic importation in Germany; rather, the German
character obtained its completeness through Christianity. The German
found himself again in the Church of Christ, only raised, transfigured,
and sanctified. The apostolic representation of the Church as the bride
of Christ has found its fullest and truest correspondence in that of
Germany. Hence when the German spirit was thoroughly espoused to the
Christian spirit, we find that character of love, tenderness, and depth
so characteristic of the early classics of German poetry, and reappearing
in glorious afterglow in the second classics, in Klopstock, Herder, and,
above all, Schiller.

It is this special instinct for the ideal and mystical in German nature
that has enabled spirits born of negation and revolution, like Schiller,
to unite with those elements the most genial and creative inspirations of
poetry.

VOCABULARY OF TERMINOLOGY.

Absolute, The. A conception, or, more strictly, in Kantian language, an
idea of the pure reason, embracing the fundamental and necessary yet free
ground of all things.

Antinomy. The conflict of the laws of pure reason; as in the question of
free will and necessity.

Autonomy (autonomous). Governing itself by the spontaneous action of
free will.