e and art to rejoice. For whole ages
philosophers as well as artists show themselves occupied in letting down
truth and beauty to the depths of vulgar humanity. They themselves are
swallowed up in it; but, thanks to their essential vigor and
indestructible life, the true and the beautiful make a victorious fight,
and issue triumphant from the abyss.
No doubt the artist is the child of his time, but unhappy for him if he
is its disciple or even its favorite! Let a beneficent deity carry off
in good time the suckling from the breast of its mother, let it nourish
him on the milk of a better age, and suffer him to grow up and arrive at
virility under the distant sky of Greece. When he has attained manhood,
let him come back, presenting a face strange to his own age; let him
come, not to delight it with his apparition, but rather to purify it,
terrible as the son of Agamemnon. He will, indeed, receive his matter
from the present time, but he will borrow the form from a nobler time and
even beyond all time, from the essential, absolute, immutable unity.
There, issuing from the pure ether of its heavenly nature, flows the
source of all beauty, which was never tainted by the corruptions of
generations or of ages, which roll along far beneath it in dark eddies.
Its matter may be dishonored as well as ennobled by fancy, but the
ever-chaste form escapes from the caprices of imagination. The Roman had
already bent his knee for long years to the divinity of the emperors, and
yet the statues of the gods stood erect; the temples retained their
sanctity for the eye long after the gods had become a theme for mockery,
and the noble architecture of the palaces that shielded the infamies of
Nero and of Commodus were a protest against them. Humanity has lost its
dignity, but art has saved it, and preserves it in marbles full of
meaning; truth continues to live in illusion, and the copy will serve to
re-establish the model. If the nobility of art has survived the nobility
of nature, it also goes before it like an inspiring genius, forming and
awakening minds. Before truth causes her triumphant light to penetrate
into the depths of the heart, poetry intercepts her rays, and the summits
of humanity shine in a bright light, while a dark and humid night still
hangs over the valleys.
But how will the artist avoid the corruption of his time which encloses
him on all hands? Let him raise his eyes to his own dignity, and to law;
let him not lower
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