medium between them.
The former is immediately certain through experience, the other through
the reason.

This is the point to which the whole question of beauty leads, and if we
succeed in settling this point in a satisfactory way, we have at length
found the clue that will conduct us through the whole labyrinth of
aesthetics.

But this requires two very different operations, which must necessarily
support each other in this inquiry. Beauty, it is said, weds two
conditions with one another which are opposite to each other, and can
never be one. We must start from this opposition; we must grasp and
recognize them in their entire purity and strictness, so that both
conditions are separated in the most definite manner; otherwise we mix,
but we do not unite them. Secondly, it is usual to say, beauty unites
those two opposed conditions, and therefore removes the opposition. But
because both conditions remain eternally opposed to one another, they
cannot be united in any other way than by being suppressed. Our second
business is therefore to make this connection perfect, to carry them out
with such purity and perfection that both conditions disappear entirely
in a third one, and no trace of separation remains in the whole;
otherwise we segregate, but do not unite. All the disputes that have
ever prevailed and still prevail in the philosophical world respecting
the conception of beauty have no other origin than their commencing
without a sufficiently strict distinction, or that it is not carried out
fully to a pure union. Those philosophers who blindly follow their
feeling in reflecting on this topic can obtain no other conception of
beauty, because they distinguish nothing separate in the totality of the
sensuous impression. Other philosophers, who take the understanding as
their exclusive guide, can never obtain a conception of beauty, because
they never see anything else in the whole than the parts; and spirit and
matter remain eternally separate, even in their most perfect unity. The
first fear to suppress beauty dynamically, that is, as a working power,
if they must separate what is united in the feeling. The others fear to
suppress beauty logically, that is, as a conception, when they have to
hold together what in the understanding is separate. The former wish to
think of beauty as it works; the latter wish it to work as it is thought.
Both therefore must miss the truth; the former, because they try to
follow infinit