nally assisted, to render the people happier by song and
dance. The Grecians had songs appropriated to the various trades. Songs
of this nature would shorten the manufacturer's tedious task-work, and
solace the artisan at his solitary occupation. A beam of gay fancy
kindling his mind, a playful change of measures delighting his ear, even
a moralising verse to cherish his better feelings--these ingeniously
adapted to each profession, and some to the display of patriotic
characters, and national events, would contribute something to public
happiness. Such themes are worthy of a patriotic bard, of the Southeys
for their hearts, and the Moores for their verse.
Fletcher of Saltoun said, "If a man were permitted to make all the
ballads, he need not care who should make all the laws of a nation." The
character of a people is preserved in their national songs. "God save
the King" and "Rule Britannia" were long our English national airs.
"The story of Amphion building Thebes with his lyre was not a fable,"
says Dr. Clarke, "At Thebes, in the harmonious adjustment of those
masses which remain belonging to the ancient walls, we saw enough to
convince us that this story was no fable; for it was a very ancient
custom to _carry on immense labour by an accompaniment of music and
singing_. The custom still exists both in Egypt and Greece. It might,
therefore, be said that the _Walls of Thebes_ were built at the sound of
the only musical instrument then in use; because, according to the
_custom of the country_, the lyre was necessary for the accomplishment
of the work."[57] The same custom appears to exist in Africa. Lander
notices at Yaoorie that the "labourers in their plantations were
attended by a drummer, that they might be excited by the sound of his
instrument to work well and briskly."[58]
Athenaeus[59] has preserved the Greek names of different songs as sung by
various trades, but unfortunately none of the songs themselves. There
was a song for the corn-grinders; another for the workers in wool;
another for the weavers. The reapers had their carol; the herdsmen had a
song which an ox-driver of Sicily had composed; the kneaders, and the
bathers, and the galley-rowers, were not without their chant. We have
ourselves a song of the weavers, which Ritson has preserved in his
"Ancient Songs;" and it may be found in the popular chap-book of "The
Life of Jack of Newbury;" and the songs of anglers, of old Izaak Walton,
and Charles
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