ughly mastered, the person may, with suitable
effort, acquire the quality of rapidity in writing, gradually
increasing the speed until the desired rate is accomplished.

BEAUTY.

In the handwriting, as in other things, beauty is largely a matter
of taste and education. To the man of business, the most beautiful
handwriting is that which is written with ease, and expresses plainly
and neatly the thought of the writer. To the professional or artistic
taste, while such a hand may be regarded as "a good business hand," it
would not be considered as beautiful, because it conforms to no rule
as to proportion, shade, and spacing. In the practical art of writing,
it is not very unfair to measure its beauty largely by its utility.

[Illustration: Movement]

MOVEMENT.

Finger movement, or writing by the use of the fingers as the motive
power, is entirely inadequate to the requirements of business. The
fingers soon become tired, the hand becomes cramped, the writing shows
a labored effort, and lacks freedom and ease so essential to good
business penmanship. In the office or counting-room, where the clerk
or correspondent must write from morning till night, the finger
movement of course cannot be used.

What is designated by writing teachers as the Whole Arm, or Free Arm
Movement, in which the arm is lifted free from the desk and completes
the letter with a dash or a swoop, is necessary in ornamental
penmanship and flourishing, but has no place in a practical style of
business writing. The man of business would hardly stop, in the midst
of his writing, to raise the arm, and execute an "off-hand capital,"
while customers are waiting.

But adapted to the practical purposes of business is the _muscular
movement_, in which the arm moves freely on the muscles below the
elbow, and in cases of precise writing, or in the more extended
letters, such as f, is assisted by a slight movement of the fingers.
The third and fourth fingers may remain stationary on the paper,
and be moved from time to time, or between words, where careful and
accurate writing is desired, but in more rapid, free and flowing
penmanship, the fingers should slide over the paper.

MOVEMENT EXERCISES.

Having everything in readiness, the student may begin his practice on
movement exercises, the object of which is to obtain control of the
pen and train the muscles. Circular motion, as in the capital O,
reversed as in the capital W, vertical movement