tates. In 1870 he married Frau Cosima von Buelow,
the daughter of Liszt,--an event which provoked almost as much comment
in social circles as his operas have in musical. He died during a
visit to Venice, Feb. 13, 1883.

RIENZI.

"Rienzi der letzte der Tribunen," a tragic opera in five acts, words
by the composer, the subject taken from Bulwer's novel, "The Last of
the Tribunes," was first produced at Dresden, Oct. 20, 1842, with Herr
Tichatscheck, Mme. Schroeder-Devrient, and Mlle. Wiest in the principal
roles. It was designed and partly completed during Wagner's stay in
Riga as orchestra leader. In his Autobiography the composer says that
he first read the story at Dresden in 1837, and was greatly impressed
with its adaptability for opera. He began it in the fall of the same
year at Riga, and says: "I had composed two numbers of it, when I
found, to my annoyance, that I was again fairly on the way to the
composition of music a la Adam. I put the work aside in disgust."
Later he projected the scheme of a great tragic opera in five acts,
and began upon it with fresh enthusiasm in the fall of 1838. By the
spring of 1839 the first two acts were completed. At that time his
engagement at Riga terminated, and he set out for Paris. He soon found
that it would be hopeless for him to bring out the opera in that city,
notwithstanding Meyerbeer had promised to assist him. He offered it to
the Grand Opera and to the Renaissance, but neither would accept it.
Nothing daunted, he resumed work upon it, intending it for Dresden. In
October, 1842, it was at last produced in that city, and met with such
success that it secured him the position of capellmeister at the
Dresden opera-house.

The action of the opera passes at Rome, towards the middle of the
fourteenth century. The first act opens at night, in a street near the
Church of St. John Lateran, and discovers Orsini, a Roman patrician,
accompanied by a crowd of nobles, attempting to abduct Irene, the
sister of Rienzi, a papal notary. The plot is interrupted by the
entrance of Colonna, the patrician leader of another faction, who
demands the girl. A quarrel ensues. Adriano, the son of Colonna, who
is in love with Irene, suddenly appears and rushes to her defence.
Gradually other patricians and plebeians are attracted by the tumult,
among the latter, Rienzi. When he becomes aware of the insult offered
his sister, he takes counsel with the Cardinal Raimondo, and they
agree to rous