GERMONT M. VARESI.

The opera at its first production was a complete failure, though this
was due more to the singers than to the music. It is said that when
the doctor announced in the third act that Mme. Donatelli, who
impersonated the consumptive heroine, and who was one of the stoutest
ladies ever seen on the stage, had but a few days to live, the whole
audience broke out into roars of laughter. Time has brought its
consolations to the composer, however, for "Traviata" is now one of
the most popular operas in the modern repertory. When it was first
produced in Paris, Oct. 27, 1864, Christine Nilsson made her debut in
it. In London, the charming little singer Mme. Piccolomini made her
debut in the same opera, May 24, 1856. Adelina Patti, since that time,
has not only made Violetta the strongest character in her repertory,
but is without question the most finished representative of the
fragile heroine the stage has seen.

The story as told by the librettist simply resolves itself into three
principal scenes,--the supper at Violetta's house, where she makes the
acquaintance of Alfred, and the rupture between them occasioned by the
arrival of Alfred's father; the ball at the house of Flora; and the
death scene and reconciliation, linked together by recitative, so that
the dramatic unity of the original is lost to a certain extent. The
first act opens with a gay party in Violetta's house. Among the crowd
about her is Alfred Germont, a young man from Provence, who is
passionately in love with her. The sincerity of his passion finally
influences her to turn aside from her life of voluptuous pleasure and
to cherish a similar sentiment for him. In the next act we find her
living in seclusion with her lover in a country-house in the environs
of Paris, to support which she has sold her property in the city. When
Alfred discovers this he refuses to be the recipient of her bounty,
and sets out for Paris to recover the property. During his absence his
father, who has discovered his retreat, visits Violetta, and pleads
with her to forsake Alfred, not only on his own account, but to save
his family from disgrace. Touched by the father's grief, she consents,
and secretly returns to Paris, where she once more resumes her old
life. At a ball given by Flora Belvoix, one of Violetta's associates,
Alfred meets her again, overwhelms her with reproaches, and insults
her by flinging her miniature at her feet in presence of the who