oliere. Indeed, when Cibber undertook to adapt that
noble comedy to the English stage, he made his Tartuffe a nonjuror:
and Johnson, who cannot be supposed to have been prejudiced against the
nonjurors, frankly owned that Cibber had done them no wrong, [481]

There can be no doubt that the schism caused by the oaths would have
been far more formidable, if, at this crisis, any extensive change had
been made in the government or in the ceremonial of the Established
Church. It is a highly instructive fact that those enlightened and
tolerant divines who most ardently desired such a change afterwards saw
reason to be thankful that their favourite project had failed.

Whigs and Tories had in the late Session combined to get rid of
Nottingham's Comprehension Bill by voting an address which requested the
King to refer the whole subject to the Convocation. Burnet foresaw the
effect of this vote. The whole scheme, he said, was utterly ruined,
[482] Many of his friends, however, thought differently; and among these
was Tillotson. Of all the members of the Low Church party Tillotson
stood highest in general estimation. As a preacher, he was thought
by his contemporaries to have surpassed all rivals living or dead.
Posterity has reversed this judgment. Yet Tillotson still keeps his
place as a legitimate English classic. His highest flights were indeed
far below those of Taylor, of Barrow, and of South; but his oratory was
more correct and equable than theirs. No quaint conceits, no pedantic
quotations from Talmudists and scholiasts, no mean images, buffoon
stories, scurrilous invectives, ever marred the effect of his grave and
temperate discourses. His reasoning was just sufficiently profound and
sufficiently refined to be followed by a popular audience with that
slight degree of intellectual exertion which is a pleasure. His style
is not brilliant; but it is pure, transparently clear, and equally free
from the levity and from the stiffness which disfigure the sermons of
some eminent divines of the seventeenth century. He is always serious:
yet there is about his manner a certain graceful ease which marks him
as a man who knows the world, who has lived in populous cities and in
splendid courts, and who has conversed, not only with books, but with
lawyers and merchants, wits and beauties, statesmen and princes.
The greatest charm of his compositions, however, is deriven from the
benignity and candour which appear in every line, and w