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s to the gods In forms whose light and shadow, stress and play Of arch and buttress, satisfies my blood Better than does barbaric loveliness. The dome that poises its clear perfect curves Rising above the palm-trees, with the look As of a winged bubble lightly resting On needless masonry--that symbolled form Of heavenly perfection never fills My heart as do these knotted buttresses And writhing ribs and vaults that strain in fight-- And are victorious, as they raise to heaven The climbing spires of such an edifice. SATAN Quite right--but if you'll let me interrupt-- There is a woman yonder who, I think, Is waiting for a chance to speak to you. She looks at you, and hesitates, and turns-- As though a little fearful to approach So great a person. FAUST Where is she? I see. I wonder if I know her. SATAN She is coming. [_A young woman, hardly more than a girl, comes from between the pillars and approaches Faust. Satan withdraws a little as she approaches._ THE WOMAN I did not want to interrupt your talk; But, Mr. Faust, I wished so much to speak To you. You do not know me? FAUST Why, it seems... THE WOMAN Of course you do not; why should you remember? But I have seen your face so many times When you perhaps not noticed me at all, That I feel half-acquainted. Mr. Brander Speaks of you, too, so much that I have grown To think I know you. FAUST Ah; yes, Brander.... THE WOMAN Still I have not told you who I am, and you Do not yet know me. I am Mrs. Brander. FAUST What! Mrs. Brander! Ah, delighted ... yes.... THE WOMAN You had not heard that we were married? FAUST No. Of course, I am astounded; it's delightful-- And most surprising. THE WOMAN It was very sudden-- While you were gone. FAUST I see. Yes, I'm surprised And charmed. It's strange, at first I could not bring You to my memory. THE WOMAN I don't believe That you can yet! FAUST Why.... THE WOMAN I don't wonder at it. I used to whisk about and peer at you As you came in.... FAUST Are you then ... then are you ... Midge? MIDGE Yes! exactly. F
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