of the survivor, and the desolation which
succeeds it--

I only loved: I only drew
The accursed breath of dungeon dew,--

the bird's song breaking on the night of his solitude; his growing
enamoured of despair, and regaining his freedom with a sigh, are all
strokes from a master hand. From the same place, at the same date, he
announces to Murray the completion of the third canto of _Childe Harold_.
The productiveness of July is portentous. During that month he wrote the
_Monody on Sheridan, The Dream, Churchill's Grave_, the _Sonnet to Lake
Leman, Could I remount the River of my Years_, part of _Manfred,
Prometheus_, the _Stanzas to Augusta_, beginning,

My sister! My sweet sister! If a name
Dearer and purer were, it should be thine;

and the terrible dream of _Darkness_, which at least in the ghastly power
of the close, where the survivors meet by the lurid light of a dim altar
fire, and die of each other's hideousness, surpasses Campbell's _Last
Man_[1]. At Lausanne the poet made a pilgrimage to the haunts of Gibbon,
broke a sprig from his acacia-tree, and carried off some rose leaves from
his garden. Though entertaining friends, among them Mr. M.G. Lewis and
Scrope Davies, he systematically shunned "the locust swarm of English
tourists," remarking on their obtrusive platitudes; as when he heard one
of them at Chamouni inquire, "Did you ever see anything more truly rural?"
Ultimately he got tired of the Calvinistic Genevese--one of whom is said
to have swooned as he entered the room--and early in October set out with
Hobhouse for Italy. They crossed the Simplon, and proceeded by the Lago
Maggiore to Milan, admiring the pass, but slighting the somewhat hothouse
beauties of the Borromean Islands. From Milan he writes, pronouncing its
cathedral to be only a little inferior to that of Seville, and delighted
with "a correspondence, all original and amatory, between Lucretia Borgia
and Cardinal Bembo." He secured a lock of the golden hair of the Pope's
daughter, and wished himself a cardinal.

[Footnote 1: This only appeared in 1831, but Campbell claims to have
given Byron in conversation the suggestion of the subject.]

At Verona, Byron dilates on the amphitheatre, as surpassing anything he
had seen even in Greece, and on the faith of the people in the story of
Juliet, from whose reputed tomb he sent some pieces of granite to Ada and
his nieces. In November we find him settled in Venice, "the greenes