Bandoline
Contents of Appendix.
Manufacture of Glycerine
Test for Alcohol in Essential Oils
Detection of Poppy and other drying Oils in Almond and Olive Oil
Coloring matter of Volatile Oils
Artificial Preparation of Otto of Cinnamon
Detection of Spike Oil and Turpentine in Lavender Oil
The Orange Flower Waters of Commerce
Concentrated Elder Water
ARNALL on Spirits of Wine
Purification of Spirits by Filtration
COBB on Otto of Lemons
BASTICK on Benzoic Acid
On the Coloring matters of Flowers
Bleaching Bees' Wax
Chemical Examination of Naples Soap
Manufacture of Soap
How to Ascertain the Commercial Value of Soap
On the Natural Fats
Perfumes as Preventives of Mouldiness
BASTICK on Fusel Oil
BASTICK'S Pine Apple Flavor
WAGNER'S Essence of Quince
Preparation of Rum-ether
Artificial Fruit essences
Volatile Oil of Gaultheria
Application of Chemistry to Perfumery
Correspondence from the Journal of the Society of Arts
Quantities of Ottos yielded by various Plants
French and English Weights and Measures compared
Illustrations.
Drying House, Mitcham, Surrey, (Frontispiece.)
Smelling, from the Dresden Gallery, (Vignette.)
Pipette, to draw off small Portions of Otto from Water
Tap Funnel for separating Ottos from Waters, and Spirits from Oil
The Almond
Styrax Benzoin
Cassie Buds
The Clove
The Jasmine
The Orange
The Patchouly Plant
Santal-Wood
Tonquin
Vanilla
Vitivert
Civet Cat
Musk Pod
Musk Deer
The Censer
Perfume Lamp
Slab Soap Gauge
Barring Gauge
Squaring Gauge
Soap Scoops
Soap Press
Moulds
Soap Plane
Oil Runner
THE ART OF PERFUMERY.
INTRODUCTION AND HISTORY.
SECTION I.
"By Nature's swift and secret working hand
The garden glows, and fills the liberal air
With lavish odors.
There let me draw
Ethereal soul, there drink reviving gales,
Profusely breathing from the spicy groves
And vales of fragrance."--THOMSON.
Among the numerous gratifications derived from the cultivation of
flowers, that of rearing them for the sake of their perfumes stands
pre-eminent. It is proved from the oldest records, that perfumes have
been in use from the earliest periods. The origin of this, like that of
many other arts, is lost in the depth of its antiquity; though it had
its rise, no doubt, in religious observances
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