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hion is no longer fashionable, and the sportsman can no longer stride over the ploughed fields. The old age of the Major Pendennises is assuredly not to be envied: but how rich is the age of the Hunboldts! I compare the life of the intellectual to a long wedge of gold--the thin end of it begins at birth, and the depth and value of it go on indefinitely increasing till at last comes Death (a personage for whom Nathaniel Hawthorne had a peculiar dislike, for his unmannerly habit of interruption), who stops the auriferous processes. Oh, the mystery of the nameless ones who have died when the wedge was thin and looked so poor and light! Oh, the happiness of the fortunate old men whose thoughts went deeper and deeper like a wall that runs out into the sea! NOTE.--One of the most painful cases of interruption caused by death is that of Cuvier. His paralysis came upon him whilst he was still in full activity, and death prevented him from arranging a great accumulation of scientific material. He said to M. Pasquier, "I had great things still to do; all was ready in my head. After thirty years of labor and research, there remained but to write, and now the hands fail, and carry with them the head." But the most lamentable instances of this kind of interruption are, from the nature of things, unknown to us. Even the friends of the deceased cannot estimate the extent of the loss, for a man's immediate neighbors are generally the very last persons to become aware of the nature of his powers or the value of his acquirements. PART II. THE MORAL BASIS. LETTER I. TO A MORALIST WHO HAD SAID THAT THERE WAS A WANT OF MORAL FIBRE IN THE INTELLECTUAL, ESPECIALLY IN POETS AND ARTISTS. The love of intellectual pleasure--The seeking for a stimulus--Intoxication of poetry and oratory--Other mental intoxications--The Bishop of Exeter on drudgery--The labor of composition in poetry--Wordsworth's dread of it--Moore--His trouble with "Lalla Rookh"--His painstaking in preparation--Necessity of patient industry in other arts--John Lewis, Meissonier, Mulready--Drudgery in struggling against technical difficulties--Water-color painting, etching, oil-painting, fresco, line-engraving--Labor undergone for mere discipline--Moral strength of students--Giordano Bruno. You told me the other day that you believed the inducement to what I called intellectual living to be merely the love of pl
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