FREE BOOKS

Author's List




PREV.   NEXT  
|<   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137  
138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   >>   >|  
I will do as Mark Twain did--put the punctuations at the end, and one can take one's choice." We had some music again this evening. The Duke played some solos on his violoncello. He has a beautiful instrument. If Amati made cellos (perhaps he did), he must have made this one. At dinner I sat next to him. He said, "I was very much interested in what you wrote about Hamlet." "In spite of the lack of commas?" I asked. "Yes, in spite of the lack of commas. But I wonder if all you wrote was true?" "How can we ever find out?" "I hate to think of him as a myth." "Please don't think of him as a myth. Think of him as you always have; otherwise you will owe me a grudge." Looking across the table to Signor Bonghi, he said: "He is a wonderful man. I like his name, too--Ruggiero Bonghi, _tout court_." "It sounds," I said, "so full of strength and power and straight to the point, with no accessories, doesn't it?" "You say that to _me_, who have twenty-four names." "Twenty-four! Dear me! Do you know them all?" "I must confess that I do not, but I will look them up in the Gotha and write them out for you." "Twenty-four," I repeated. "How out of breath the priest who baptized you must have been!" "Oh," cried the Prince, "he did not mind; he got a louis [twenty-franc piece] for each name." ROME, PALAZZO SFORZA-CESARINI, _January, 1887_. My dear Aunt,--After the reception of the Diplomats on the 1st of January we moved from Palazzo Tittoni to this, our new home. We have in the largest _salon_ an enormous and gorgeously sculptured chimneypiece which has a tiny fire-place that, when crammed full of wood, and after we have puffed our lungs out blowing on it and prodded it with tongs, etc., consents to smile and warm the chair nearest to it, but nothing else. The ceiling (a work of art of some old master) is way up in the clouds; I am almost obliged to use an opera-glass to see which are angels' or cherubs' legs up there in the blue. The figures in the corners, I suppose, represent Faith, Hope, and Charity; the fourth must be the Goddess of Plenty. She is emptying an enormous cornucopia over our heads of the most tempting fruit, which makes my mouth water and makes me wish she would drop some of it in my lap. This palace used to belong to that nice hospitable family you've heard about--_the Borgias_. I dare say they did a good deal of their poisoning in these very _salons_. We were rather
PREV.   NEXT  
|<   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137  
138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   >>   >|  



Top keywords:

commas

 

Twenty

 

January

 

enormous

 
twenty
 

Bonghi

 

consents

 
family
 

hospitable

 
ceiling

poisoning

 
Borgias
 

nearest

 

puffed

 
salons
 

gorgeously

 

largest

 

Palazzo

 

Tittoni

 

sculptured


chimneypiece

 

blowing

 

crammed

 
prodded
 

fourth

 

Goddess

 
Charity
 

Plenty

 

tempting

 

emptying


cornucopia

 

represent

 

suppose

 

obliged

 
master
 

clouds

 
belong
 

figures

 

palace

 
corners

angels

 

cherubs

 
interested
 

Hamlet

 
grudge
 

Looking

 
Please
 
dinner
 

choice

 
punctuations