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d found them too scanty and too soon filled for the passionate and tumultuous overflow of my thoughts. In these letters there was no beginning, no middle, no end, and no grammar; nothing, in short, of what is generally understood by the word style. It was my soul laid bare before another soul expressing, or rather stammering forth, as well as it could, the conflicting emotions that filled it, with the help of the inadequate language of men. But such language was not made to express unutterable things; its imperfect signs and empty terms, its hollow speeches and its icy words, were melted, like refractory ore, by the concentrated fire of our souls, and cast into an indescribable language, vague, ethereal, flaming and caressing, like the licking tongues of fire that had no meaning for others, but which we alone understood, as it was part of ourselves. These effusions of my heart never ended and never slackened. If the firmament had been a single page, and God had bid me fill it with my love, it could not have contained one-half of what spoke within me! I never stopped till the four sheets were filled; yet I always seemed to have said nothing, and in truth I had said nothing,--for who could ever tell what is infinite? LIII. These letters, which were without any pitiful pretensions to talent on my part, and were a delight and not a labor, might have been of marvellous service to me at a later period, if fate had destined me to address my fellow men, or to depict the shades, the transports, or the pains of passion, in works of imagination. Unknown to myself, I struggled desperately as Jacob wrestled with the angel, against the poorness, the rigidity, and the resistance of the language I was forced to use, as I knew not the language of the skies. The efforts that I made to conquer, bend, smooth, extend, spiritualize, color, inflame, or moderate expressions; the wish to render by words the nicest shades of feeling the most ethereal aspirations of thought, the most irresistible impulses, and the most chaste reserve of passion; to express looks, attitudes, sighs, silence, and even the annihilation of the heart adoring the invisible object of its love,--all these efforts, I repeat, which seemed to bend my pen beneath my fingers like a rebellious instrument, made me sometimes find the very word, expression, or cry that I required to give a voice to the unutterable. I had used no language, but I had cried forth the cry
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