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is education in Westminster-school, under Dr. Busby, and was removed from thence to Christ's-Church in Oxford, in Michaelmas term, 1681, when at the age of eighteen. He studied the civil law, and practiced it at Doctor's Commons, with very great reputation; but the natural gaiety of his temper, and the love of company, betrayed him into those pleasures, which were incompatible with his profession. Our author, by the reputation of his abilities obtained a patron in the earl of Pembroke, who upon his being appointed lord Lieutenant of Ireland, press'd him to go over to that kingdom. Upon Dr. King's arrival in Ireland, his excellency appointed him judge advocate, sole commissioner of the prizes, and record keeper. There, he was well received, and countenanced by persons of the most distinguished rank, and could he have changed his disposition with the climate, had then an opportunity of making his fortune; but so far was he from improving this occasion to the purposes of his interest, that he returned back to England, with no other treasure, than a few merry Poems, and humorous Essays. He was naturally of a courteous behaviour, and very obliging: His conversation was chearful, and his wit pleasant and entertaining. But at length he chiefly subsisted on his fellowship in Christ-Church College: Before this time, he had published his most ingenious Poem, called the Art of Cookery, in imitation of Horace's Art of Poetry, with some Letters to Dr. Lister and others; occasioned principally by the title of a book, published by the Dr. being the works of Apicius Coelius, concerning the soups and sauces of the ancients, with an extract of the greatest curiosities contained in that book. Amongst his Letters, is one upon the Denti Scalps, or Tooth-picks of the Antients: Another contains an imitation of Horace: Epist. 5. Book I. being his invitation of Torquatus to supper. And a third, contains remarks on lord Grimston's play, called the Lawyer's Fortune; or Love in a Hollow-Tree. At his leisure hours he wrote likewise, The Art of Love, an imitation of Ovid, De Arte Amandi. To which he prefixed an account of Ovid. In the latter part of his life, about the year 1711, he published an Historical Account of the Heathen Gods, and Heroes, for the use of Westminster, and other schools; for the better and more easy understanding of the Classics. Besides these performances, we likewise find three numbers of a project, entitled, the Transac
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