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t, who reviewed it in the _Critical Review_, appears to have kept his temper pretty well for a Scotchman; but Kenrick, a hack employed by Griffiths to maltreat the book in the _Monthly Review_, flourished his bludgeon in a brave manner. The coarse personalities and malevolent insinuations of this bully no doubt hurt Goldsmith considerably; but, as we look at them now, they are only remarkable for their dulness. If Griffiths had had another Goldsmith to reply to Goldsmith, the retort would have been better worth reading: one can imagine the playful sarcasm that would have been dealt out to this new writer, who, in the very act of protesting against criticism, proclaimed himself a critic. But Goldsmiths are not always to be had when wanted; while Kenricks can be bought at any moment for a guinea or two a head. Goldsmith had not chosen literature as the occupation of his life; he had only fallen back on it, when other projects failed. But it is quite possible that now, as he began to take up some slight position as an author, the old ambition of distinguishing himself--which had flickered before his imagination from time to time--began to enter into his calculations along with the more pressing business of earning a livelihood. And he was soon to have an opportunity of appealing to a wider public than could have been expected for that erudite treatise on the arts of Europe. Mr. Wilkie, a bookseller in St. Paul's Churchyard, proposed to start a weekly magazine, price threepence, to contain essays, short stories, letters on the topics of the day, and so forth, more or less after the manner of the _Spectator_. He asked Goldsmith to become sole contributor. Here, indeed, was a very good opening; for, although there were many magazines in the field, the public had just then a fancy for literature in small doses; while Goldsmith, in entering into the competition, would not be hampered by the dulness of collaborateurs. He closed with Wilkie's offer; and on the 6th of October, 1759, appeared the first number of the _Bee_. For us now there is a curious autobiographical interest in the opening sentences of the first number; but surely even the public of the day must have imagined that the new writer who was now addressing them, was not to be confounded with the common herd of magazine-hacks. What could be more delightful than this odd mixture of modesty, humour, and an anxious desire to please?--"There is not, perhaps, a more wh
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