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The Project Gutenberg EBook of Old English Plays, Vol. I, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Old English Plays, Vol. I A Collection of Old English Plays Author: Various Release Date: December 5, 2003 [EBook #10388] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK OLD ENGLISH PLAYS, VOL. I *** Produced by Jonathan Ingram, Tapio Riikonen and PG Distributed Proofreaders A COLLECTION OF OLD ENGLISH PLAYS, VOL. I In Four Volumes EDITED BY A.H. BULLEN. 1882-1889 CONTENTS: The Tragedy of Nero The Mayde's Metamorphosis The Martyr'd Souldier The Noble Souldier _PREFACE_. Most of the Plays in the present Collection have not been reprinted, and some have not been printed at all. In the second volume there will be published for the first time a fine tragedy (hitherto quite unknown) by Massinger and Fletcher, and a lively comedy (also quite unknown) by James Shirley. The recovery of these two pieces should be of considerable interest to all students of dramatic literature. The Editor hopes to give in Vol. III. an unpublished play of Thomas Heywood. In the fourth volume there will be a reprint of the _Arden of Feversham_, from the excessively rare quarto of 1592. INTRODUCTION TO THE _TRAGEDY OF NERO_. Of the many irreparable losses sustained by classical literature few are more to be deplored than the loss of the closing chapters of Tacitus' _Annals_. Nero, it is true, is a far less complex character than Tiberius; and there can be no question that Tacitus' sketch of Nero is less elaborate than his study of the elder tyrant. Indeed, no historical figure stands out for all time with features of such hideous vividness as Tacitus' portrait of Tiberius; nowhere do we find emphasised with such terrible earnestness, the stoical poet's anathema against tyrants "Virtutem videant intabescantque relicta." Other writers would have turned back sickened from the task of following Tiberius through mazes of cruelty and craft. But Tacitus pursues his victim with the patience of a sleuth-hound; he seems to find a ruthless satisfaction in stripping the soul of its coverings; he treads
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