their comrades, and did not find the entire repertory of
projectiles of the fishmarkets too extensive to retort to the enormous
verbal attacks of the populace. A frightful exchange of metaphors took
place between the maskers and the crowd.
In the meanwhile, two other maskers in the same carriage, a Spaniard
with an enormous nose, an elderly air, and huge black moustache, and a
gaunt fishwife, who was quite a young girl, masked with a loup,[67] had
also noticed the wedding, and while their companions and the passers-by
were exchanging insults, they had held a dialogue in a low voice.
Their aside was covered by the tumult and was lost in it. The gusts of
rain had drenched the front of the vehicle, which was wide open; the
breezes of February are not warm; as the fishwife, clad in a low-necked
gown, replied to the Spaniard, she shivered, laughed and coughed.
Here is their dialogue:
"Say, now."
"What, daddy?"
"Do you see that old cove?"
"What old cove?"
"Yonder, in the first wedding-cart, on our side."
"The one with his arm hung up in a black cravat?"
"Yes."
"Well?"
"I'm sure that I know him."
"Ah!"
"I'm willing that they should cut my throat, and I'm ready to swear that
I never said either you, thou, or I, in my life, if I don't know that
Parisian." [pantinois.]
"Paris in Pantin to-day."
"Can you see the bride if you stoop down?"
"No."
"And the bridegroom?"
"There's no bridegroom in that trap."
"Bah!"
"Unless it's the old fellow."
"Try to get a sight of the bride by stooping very low."
"I can't."
"Never mind, that old cove who has something the matter with his paw I
know, and that I'm positive."
"And what good does it do to know him?"
"No one can tell. Sometimes it does!"
"I don't care a hang for old fellows, that I don't!"
"I know him."
"Know him, if you want to."
"How the devil does he come to be one of the wedding party?"
"We are in it, too."
"Where does that wedding come from?"
"How should I know?"
"Listen."
"Well, what?"
"There's one thing you ought to do."
"What's that?"
"Get off of our trap and spin that wedding."
"What for?"
"To find out where it goes, and what it is. Hurry up and jump down,
trot, my girl, your legs are young."
"I can't quit the vehicle."
"Why not?"
"I'm hired."
"Ah, the devil!"
"I owe my fishwife day to the prefecture."
"That's true."
"If I leave the cart, the first inspector who
|