blessing."
The evening was gay, lively and agreeable. The grandfather's sovereign
good humor gave the key-note to the whole feast, and each person
regulated his conduct on that almost centenarian cordiality. They danced
a little, they laughed a great deal; it was an amiable wedding. Goodman
Days of Yore might have been invited to it. However, he was present in
the person of Father Gillenormand.
There was a tumult, then silence.
The married pair disappeared.
A little after midnight, the Gillenormand house became a temple.
Here we pause. On the threshold of wedding nights stands a smiling angel
with his finger on his lips.
The soul enters into contemplation before that sanctuary where the
celebration of love takes place.
There should be flashes of light athwart such houses. The joy which
they contain ought to make its escape through the stones of the walls in
brilliancy, and vaguely illuminate the gloom. It is impossible that this
sacred and fatal festival should not give off a celestial radiance to
the infinite. Love is the sublime crucible wherein the fusion of the man
and the woman takes place; the being one, the being triple, the being
final, the human trinity proceeds from it. This birth of two souls into
one, ought to be an emotion for the gloom. The lover is the priest;
the ravished virgin is terrified. Something of that joy ascends to God.
Where true marriage is, that is to say, where there is love, the ideal
enters in. A nuptial bed makes a nook of dawn amid the shadows. If it
were given to the eye of the flesh to scan the formidable and charming
visions of the upper life, it is probable that we should behold the
forms of night, the winged unknowns, the blue passers of the invisible,
bend down, a throng of sombre heads, around the luminous house,
satisfied, showering benedictions, pointing out to each other the virgin
wife gently alarmed, sweetly terrified, and bearing the reflection of
human bliss upon their divine countenances. If at that supreme hour, the
wedded pair, dazzled with voluptuousness and believing themselves alone,
were to listen, they would hear in their chamber a confused rustling of
wings. Perfect happiness implies a mutual understanding with the angels.
That dark little chamber has all heaven for its ceiling. When two
mouths, rendered sacred by love, approach to create, it is impossible
that there should not be, above that ineffable kiss, a quivering
throughout the immense myste
|