ter into participation in
the fair fortunes of Cosette and Marius? Should he render the obscurity
on his brow and the cloud upon theirs still more dense? Should he
place his catastrophe as a third associate in their felicity? Should he
continue to hold his peace? In a word, should he be the sinister mute of
destiny beside these two happy beings?

We must have become habituated to fatality and to encounters with it, in
order to have the daring to raise our eyes when certain questions appear
to us in all their horrible nakedness. Good or evil stands behind
this severe interrogation point. What are you going to do? demands the
sphinx.

This habit of trial Jean Valjean possessed. He gazed intently at the
sphinx.

He examined the pitiless problem under all its aspects.

Cosette, that charming existence, was the raft of this shipwreck. What
was he to do? To cling fast to it, or to let go his hold?

If he clung to it, he should emerge from disaster, he should ascend
again into the sunlight, he should let the bitter water drip from his
garments and his hair, he was saved, he should live.

And if he let go his hold?

Then the abyss.

Thus he took sad council with his thoughts. Or, to speak more correctly,
he fought; he kicked furiously internally, now against his will, now
against his conviction.

Happily for Jean Valjean that he had been able to weep. That relieved
him, possibly. But the beginning was savage. A tempest, more furious
than the one which had formerly driven him to Arras, broke loose within
him. The past surged up before him facing the present; he compared
them and sobbed. The silence of tears once opened, the despairing man
writhed.

He felt that he had been stopped short.

Alas! in this fight to the death between our egotism and our duty, when
we thus retreat step by step before our immutable ideal, bewildered,
furious, exasperated at having to yield, disputing the ground, hoping
for a possible flight, seeking an escape, what an abrupt and sinister
resistance does the foot of the wall offer in our rear!

To feel the sacred shadow which forms an obstacle!

The invisible inexorable, what an obsession!

Then, one is never done with conscience. Make your choice, Brutus; make
your choice, Cato. It is fathomless, since it is God. One flings into
that well the labor of one's whole life, one flings in one's fortune,
one flings in one's riches, one flings in one's success, one flings in
one's liberty or