ess, that night Jean Valjean felt that he was passing through
his final combat.

A heart-rending question presented itself.

Predestinations are not all direct; they do not open out in a straight
avenue before the predestined man; they have blind courts, impassable
alleys, obscure turns, disturbing crossroads offering the choice of many
ways. Jean Valjean had halted at that moment at the most perilous of
these crossroads.

He had come to the supreme crossing of good and evil. He had that
gloomy intersection beneath his eyes. On this occasion once more, as had
happened to him already in other sad vicissitudes, two roads opened out
before him, the one tempting, the other alarming.

Which was he to take?

He was counselled to the one which alarmed him by that mysterious index
finger which we all perceive whenever we fix our eyes on the darkness.

Once more, Jean Valjean had the choice between the terrible port and the
smiling ambush.

Is it then true? the soul may recover; but not fate. Frightful thing! an
incurable destiny!

This is the problem which presented itself to him:

In what manner was Jean Valjean to behave in relation to the happiness
of Cosette and Marius? It was he who had willed that happiness, it was
he who had brought it about; he had, himself, buried it in his entrails,
and at that moment, when he reflected on it, he was able to enjoy the
sort of satisfaction which an armorer would experience on recognizing
his factory mark on a knife, on withdrawing it, all smoking, from his
own breast.

Cosette had Marius, Marius possessed Cosette. They had everything, even
riches. And this was his doing.

But what was he, Jean Valjean, to do with this happiness, now that
it existed, now that it was there? Should he force himself on this
happiness? Should he treat it as belonging to him? No doubt, Cosette did
belong to another; but should he, Jean Valjean, retain of Cosette all
that he could retain? Should he remain the sort of father, half seen but
respected, which he had hitherto been? Should he, without saying a
word, bring his past to that future? Should he present himself there,
as though he had a right, and should he seat himself, veiled, at that
luminous fireside? Should he take those innocent hands into his tragic
hands, with a smile? Should he place upon the peaceful fender of the
Gillenormand drawing-room those feet of his, which dragged behind them
the disgraceful shadow of the law? Should he en