which we are now traversing,--a minute which
will not, fortunately, leave its impress on the nineteenth century,--at
this hour, when so many men have low brows and souls but little
elevated, among so many mortals whose morality consists in enjoyment,
and who are busied with the brief and misshapen things of matter,
whoever exiles himself seems worthy of veneration to us.
The monastery is a renunciation. Sacrifice wrongly directed is still
sacrifice. To mistake a grave error for a duty has a grandeur of its
own.
Taken by itself, and ideally, and in order to examine the truth on all
sides until all aspects have been impartially exhausted, the monastery,
the female convent in particular,--for in our century it is woman who
suffers the most, and in this exile of the cloister there is something
of protestation,--the female convent has incontestably a certain
majesty.
This cloistered existence which is so austere, so depressing, a few of
whose features we have just traced, is not life, for it is not liberty;
it is not the tomb, for it is not plenitude; it is the strange place
whence one beholds, as from the crest of a lofty mountain, on one side
the abyss where we are, on the other, the abyss whither we shall go; it
is the narrow and misty frontier separating two worlds, illuminated
and obscured by both at the same time, where the ray of life which has
become enfeebled is mingled with the vague ray of death; it is the half
obscurity of the tomb.
We, who do not believe what these women believe, but who, like them,
live by faith,--we have never been able to think without a sort of
tender and religious terror, without a sort of pity, that is full of
envy, of those devoted, trembling and trusting creatures, of these
humble and august souls, who dare to dwell on the very brink of the
mystery, waiting between the world which is closed and heaven which is
not yet open, turned towards the light which one cannot see, possessing
the sole happiness of thinking that they know where it is, aspiring
towards the gulf, and the unknown, their eyes fixed motionless on the
darkness, kneeling, bewildered, stupefied, shuddering, half lifted, at
times, by the deep breaths of eternity.
BOOK EIGHTH.--CEMETERIES TAKE THAT WHICH IS COMMITTED THEM
CHAPTER I--WHICH TREATS OF THE MANNER OF ENTERING A CONVENT
It was into this house that Jean Valjean had, as Fauchelevent expressed
it, "fallen from the sky."
He had scaled the
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