his intrigues against Gozzi, ii. 278.
his interview with Gozzi, ii. 279-285.
Gozzi's efforts to have the play stopped, ii. 286-294.
the further squabbles between him and Gozzi, ii. 294-300.
forced by the Supreme Authority to apologise to Gozzi, ii. 303.
his own account of the letter which he was forced to write,
ii. 303 _note_ 1.
his conduct to Gozzi subsequently, ii. 307.
suspected of having the actor Vitalba assaulted, ii. 319.
his appointment to Naples cancelled, ii. 319, 320.
his withdrawal from Venice and consequent outlawry, i. 12; ii. 321.
his "Narrazione Apologetica" published at Stockholm, i. 13.
published at Venice after the fall of the Republic, i. 16.
his death, i. 16.
book entitled "Last Notices regarding Pietro Antonio Gratarol," i. 17.
Gozzi's reflections on his character, ii. 321.

Grazzini, Anton-Francesco, his Carnival song of the Zanni and
Magnifichi, i. 41.

Gritti, Francesco, ii. 76.
his play of _Gustavus Vasa_, ii. 184.

Guardi, Francesco, ii. 338.
the interest of his paintings historically, ii. 340.

Guseo, Giovannantonio, a notary, i. 347, 362.

Hoffmann, E. T. W., his enthusiasm for Gozzi, i. 181.

Hogarth, William, contrasted with Pietro Longhi, ii. 350.

Illyria, the nature of the country, i. 244.

Improvisation, Gozzi's views on, i. 202.

I Rozzi, a company at Siena, who performed farces, i. 33.

Italian Comedy. _See_ Comedy, Italian.

Italian Literature, ii. 91.

Lami, Signor, ii. 117.

Laveleye, Emil de, ii. 99 _note_ 1.

Lazari, V., ii. 347 _note_ 1, 353 _note_ 1.

_Lazzi_--or humorous sallies--in the _Commedia dell'Arte_, i. 63.

Lee, Vernon, i. 23, 182.

Lombard ingredients in the _Commedia dell'Arte_, i. 40.

Longhi, Alessandro, son of Pietro, ii. 346, 357.

Longhi, Pietro, ii. 338-361.
the interest of his works, ii. 338 _note_ 1, 341, 347.
his parentage, ii. 342.
his early training, ii. 342.
his _Fall of the Giants_, ii. 343.
finds his true vocation as a painter in studies of contemporary
Venetian life, ii. 344.
the difference in his handiwork, ii. 346.
his similarity in art with Goldoni the dramatist, ii. 350.
the strong contrast between him and Hogarth, ii. 350.
his portrait, ii. 351.
filled the Chair of Painting in the Pisani Academy, ii. 353.
a picture representing the Pisani family attributed to him, ii. 354.
frescoes in the Palazzo Sina attributed to him, ii. 356.
his s