, i. 194.
his marriage, i. 209.
becomes lessee of the theatre of S. Angelo at Venice, i. 332.
his helpless position in his own house, i. 340.
his theatrical speculation is unsuccessful, i. 353, 360.
Carlo Gozzi and the Countess Balbi attacked on his stage, i. 357.
obtains a post at the University of Padua, i. 367.
his "Defence of Dante" against the Abbe Bettinelli, ii. 106.
his lack of spirit, ii. 162.
his friendship with Madame Dolfin Tron, ii. 267.
his serious illness, ii. 308.
in his delirium throws himself from a window, ii. 308.
his recovery, ii. 317.
his death, ii. 327.

Gozzi, Girolama, i. 288.

Gozzi, Giulia, i. 282.

Gozzi, Jacopo Antonio, father of Carlo, i. 188.
has a stroke of apoplexy, i. 211.
his feeble state of health, i. 284.
the unhappiness of his position amid the family quarrels, i. 309.
his death, i. 310.

Gozzi, Luisa Pisani Bergalli, wife of Gasparo, i. 210.
the ruler of the Gozzi family affairs, i. 287.
her mismanagement, i. 299, 317.
her dishonourable conduct, i. 319, 328.
tries to manage her husband's theatre, i. 332.
brings a lawsuit against Carlo, i. 360-364.

Gozzi, Marina, sister of Carlo, i. 201, 282.

Gradenigo, Cavaliere Andrea, ii. 76.

Grampo, Contessa Emilia, i. 189.

Granelleschi, Academy of the, i. 89, 99, 102.
its warfare with Goldoni and Chiara, i. 102.
the founding of the Academy, ii. 93.
its burlesque Prince, ii. 93.
its more serious objects, ii. 97, 108.
its attack on the Abbe Bettinelli, ii. 105.
its headquarters in the shop of the bookseller, Paolo Colombani, ii. 127.

Gratarol, Pier Antonio, i. 359 _note_ 1; ii. 10, 72 _note_ 1, 79, 227, 263.
his quarrel with Gozzi, i. 2, 6.
account of his life, i. 7-16.
nominated as Venetian Resident at Naples, i. 8.
his quarrel with Caterina Dolfin Tron, i. 9.
becomes lover to Teodora Ricci, i. 10; ii. 229.
his version of his quarrel with Gozzi compared with Gozzi's statement,
ii. 229 _note_ 1.
his presence behind the scenes of Sacchi's theatre, ii. 230, 233.
his entertainment to the actors and actresses, ii. 237.
his first visit to Gozzi, ii. 238.
Ricci compromised by him, ii. 242.
caricatured in "Le Droghe d'Amore," but not by Gozzi's wish,
i. 10; ii. 258, 259.
his foolish conduct forces the piece on the stage, ii. 263.
is present on its production and sees himself caricatured, ii. 272.
his distress, ii. 275 _note_ 1, 277.