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idge over Antietam creek at the foot of the hill entering the village; that after two repulses with heavy loss, Colonel Hartranft (afterwards Governor of Pennsylvania) led his regiment, the Fifty-first Pennsylvania Volunteers and the Fifty-first New York, in a magnificent charge and carried the bridge and the heights above, and Sharpsburg was ours. If any one would like to get an idea of what terrific work that charge was they should examine that bridge and the heights on the Sharpsburg side. The latter rise almost perpendicularly more than three hundred feet. One of the "boys" who went over that bridge and up those heights in that memorable charge was Private Edward L. Buck, Fifty-first Pennsylvania Volunteers, formerly Assistant Postmaster of Scranton, and ever since the war a prominent citizen of this city. That bridge is now known as "Burnside's Bridge." Forty-one years afterwards, I passed over it, and was shown a shell still sticking in the masonry of one of the arches. It was a conical shell probably ten inches long, about half of it left protruding. Little of special interest occurred on this march until we reached the Potomac, a short distance above Harper's Ferry. Here we were shown the little round house where John Brown concealed his guns and "pikes" prior to his famous raid three years before. This was his rendezvous on the night before his ill-starred expedition descended upon the State of Virginia and the South, in an insane effort to free the slaves. Our division was headed by the Fourteenth Connecticut, and as we approached the river opposite Harper's Ferry its fine band struck up the then new and popular air, "John Brown's Body," and the whole division took up the song, and we forded the river singing it. Slavery had destroyed the Kansas home of old John Brown, had murdered his sons, and undoubtedly driven him insane, because of his anti-slavery zeal. The great State of Virginia--the "Mother of Presidents"--had vindicated her loyalty to the "peculiar institution," and, let it be added, her own spotless chivalry, by hanging this poor, crazy fanatic for high treason! Was there poetic justice in our marching into the territory where these events transpired singing: "John Brown's body lies a mouldering in the grave, His soul goes marching on?" This couplet, "We'll hang Jeff Davis to a sour apple-tree," was sung with peculiar zest, though I never quite understood what the poet had aga
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