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accommodate one hundred thousand spectators. The present circumference of the structure is about one-third of a mile. From the arena rise the tiers of seats, one above another, indicated by partially preserved steps and passage-ways. In its prime it was doubtless elegantly ornamented; and some evidences of fine art still remain upon the crumbling and lofty walls. The material is a kind of freestone. The style of architecture embraces four orders, imposed one upon another: the lower one is Tuscan or Doric; the second, Roman-Ionic; and the third and fourth, Corinthian or Composite. The Pantheon is the only entirely preserved edifice of Greek architecture in Rome. This grand and marvellous structure was originally dedicated to the Pagan gods, but is now a Christian church. It is the largest building of ancient times, and whose splendid Corinthian columns fill the eye with pleasure at the first glance. The diameter of the structure is one hundred and fifty feet, and the summit of the upper cornice over one hundred feet from the base, the entire height being one hundred and fifty feet. The interior effect is one of true majesty, and that of the combined whole is deemed the acme of architectural perfection of the ancient buildings of Rome. The plates of gilded bronze which once covered the roof, the bronze ornaments of the pediment, and the silver that adorned the interior of the dome, it is said, were carried off by Constans II. more than a thousand years ago. St. Peter's is considered to be the most magnificent church of Italian or classical architecture in the world. Its extreme length within the walls is a trifle over six hundred feet, while its greatest width is about four hundred and fifty feet. The height, from the pavement to the cross at the apex, is four hundred and fifty-eight feet. By comparing these dimensions with familiar objects, we can gain some general idea of the immensity of this structure, the largest ever reared by Christians in honor of the Supreme Being; but only by frequent and long-continued visits do we finally come fully to realize its unequalled beauty and grandeur. As Florence only dates from three or four hundred years before Christ, it is not considered very ancient in the Old World. It sprang, undoubtedly, from Fiesole, at the foot of which it now lies. The Fiesole of the ancients was perched upon an almost inaccessible height, in accordance with the style in which they used to build in
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