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s.] [Footnote 169: Mueller, "Science of Language," p. 434.] The Greek tragedians were the great religious instructors of the Athenian people. "Greek tragedy grew up in connection with religious worship, and constituted not only a popular but a sacred element in the festivals of the gods.... In short, strange as it may sound to modern ears, the Greek stage was, more nearly than any thing else, the Greek pulpit.[170] With a priesthood that offered sacrifice, but did not preach, with few books of any kind, the people were, in a great measure, dependent on oral instruction for knowledge; and as they learned their rights and duties as citizens from their orators, so they hung on the lips of the 'lofty, grave tragedians' for instruction touching their origin, duty, and destiny as mortal and immortal beings.... Greek tragedy is essentially didactic, ethical, mythological, and religious."[171] [Footnote 170: Pulpitum, a stage.] [Footnote 171: Tyler, "Theology of Greek Poets," pp. 205, 206.] Now it is unquestionable that, with the tragedians, Zeus is the Supreme God. AEschylus is pre-eminently the theological poet of Greece. The great problems which lie at the foundation of religious faith and practice are the main staple of nearly all his tragedies. Homer, Hesiod, the sacred poets, had looked at these questions in their purely poetic aspects. The subsequent philosophers, Plato and Aristotle, developed them more fully by their didactic method. AEschylus stands on the dividing-line between them, no less poetic than the former, scarcely less philosophical than the latter, but more intensely practical, personal, and _theological_ than either. The character of the Supreme Divinity, as represented in his tragedies, approaches more nearly to the Christian idea of God. He is the Universal Father--Father of gods and men; the Universal Cause (panaitios, Agamem. 1485); the All-seer and All-doer (pantopies, panergetes, ibid, and Sup. 139); the All-wise and All-controlling (pankrates, Sup. 813); the Just and the Executor of justice (dikephoros, Agamem. 525); true and incapable of falsehood (Prom. 1031); pseudegorein gar ouk epistatai stoma to dion, alla pan epos telei,-- holy (agnos, Sup. 650); merciful (preumenes, ibid. 139); the God especially of the suppliant and the stranger (Supplices, passim); the most high and perfect One (teleion upsiston, Eumen. 28); King of kings, of the happy, most happy, of the perfect,
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