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The Project Gutenberg EBook of At Good Old Siwash, by George Fitch This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: At Good Old Siwash Author: George Fitch Release Date: April 25, 2008 [EBook #25163] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK AT GOOD OLD SIWASH *** Produced by Janet Keller, D. Alexander and the Online Distributed Proofreading Team at http://www.pgdp.net AT GOOD OLD SIWASH BY GEORGE FITCH ILLUSTRATED BOSTON LITTLE, BROWN, AND COMPANY 1916 _Copyright, 1910, 1911,_ BY THE CURTIS PUBLISHING COMPANY. _Copyright, 1911,_ BY LITTLE, BROWN, AND COMPANY. _All rights reserved_ Printers S. J. PARKHILL & CO., BOSTON, U.S.A. [Illustration: Twenty-five yards with four Muggledorfer men hanging on his legs FRONTISPIECE. _Page 19_] AT GOOD OLD SIWASH PREFACE Little did I think, during the countless occasions on which I have skipped blithely over the preface of a book in order to plunge into the plot, that I should be called upon to write a preface myself some day. And little have I realized until just now the extreme importance to the author of having his preface read. I want this preface to be read, though I have an uneasy premonition that it is going to be skipped as joyously as ever I skipped a preface myself. I want the reader to toil through my preface in order to save him the task of trying to follow a plot through this book. For if he attempts to do this he will most certainly dislocate something about himself very seriously. I have found it impossible, in writing of college days which are just one deep-laid scheme after another, to confine myself to one plot. How could I describe in one plot the life of the student who carries out an average of three plots a day? It is unreasonable. So I have done the next best thing. There is a plot in every chapter. This requires the use of upwards of a dozen villains, an almost equal number of heroes, and a whole bouquet of heroines. But I do not begrudge this extravagance. It is necessary, and that settles it. Then, again, I want to answer in this preface a number of questions by readers who kindly conse
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