tives, 156, 157;
two Transcendental products, 157-166;
first volume of Essays, 166;
History, 167, 168;
Self-reliance, 168, 169;
Compensation, 169;
other essays, 170;
Friendship, 170, 171;
Heroism, 172;
Over-Soul, 172-175;
house and income, 176;
son's death, 177, 178;
American and Oriental qualities, 179;
English virtues, 180;
Emancipation addresses in 1844, 181;
second series of Essays, 181-188;
Reformers, 188-191;
Carlyle's business, Poems published, 192;
a second trip to Europe, 193-196;
Representative Men, 196-209;
lectures again, 210;
Abolitionism, 211, 212;
Woman's Rights, 212, 213;
a New England Roman, 213, 214;
English Traits, 214-221;
a new magazine, 221;
clubs, 222, 223;
more poetry, 224;
Burns Festival, 224;
letter about various literary matters, 225-227;
Parker's death, Lincoln's Proclamation, 228;
Conduct of Life, 228-239;
Boston Hymn, 240;
"So nigh is grandeur to our dust," 241;
Atlantic contributions, 242;
Lincoln obsequies, 243;
Free Religion, 243, 244;
second Phi Beta Kappa oration, 244-246;
poem read to his son, 246-248;
Harvard Lectures, 249-255;
agriculture and science, 255, 256;
predictions, 257;
Books, 258;
Conversation, 258;
elements of Courage, 259;
Success, 260, 261;
on old men, 261, 262;
California trip, 263-268;
eating, 269;
smoking, 270;
conflagration, loss of memory, Froude banquet, third trip abroad, 272;
friendly gifts, 272-279;
editing Parnassus, 280-282;
failing powers, 283;
Hope everywhere, 284;
negations, 285;
Eloquence, Pessimism, 286;
Comedy, Plagiarism, 287;
lessons repeated, 288;
Sources of Inspiration, 289, 290;
Future Life, 290-292;
dissolving creed, 292;
Concord Bridge, 292, 293;
decline of faculties, Old South lecture, 294;
papers, 294, 295;
quiet pen, 295;
posthumous works, 295 _et seq.;_
the pedagogue, 297;
University of Virginia, 299;
indebtedness to Plutarch, 299-302;
slavery questions, 303-308;
Woman Question, 308;
patriotism, 308, 309;
nothing but a poet, 311;
antique words, 313;
self-revelation, 313, 314;
a great poet? 314-316;
humility, 317-319;
poetic favorites, 320, 321;
comparison with contemporaries, 321;
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