expression of
countenance as though she were suffering agonies.
The METTERBRUNS see the difference. Madame remembers a fat comic man
in Berlin, at some garden, who used to wear a big hat and carry
a large pipe, and make her laugh very much when she was a girl.
Certainly, in his way, he was an artist. Is this ARTHUR ROBERTS
anything like MAX SPLUeTTERWESSEL? At this point, as we have finished
coffee, and the Countess finds the room hot, I propose adjourning the
debate to the Restaurant in the garden, as we are too late for the
band at the Casino Samie.
The party is broken up in order to walk down to our rendezvous.
PULLER, whose idea of making things pleasant, and, as he expresses it,
"sweetening everyone all round," is to order "drinks" for everybody,
insists upon the party taking "_consommations_"--he loves saying this
word--at his expense. The Countess at first objects, as also does
Madame METTERBRUN; but, on PULLER'S explaining that he belongs to
"The Two-with-you Society," they accept this explanation as utterly
unintelligible but perfectly satisfactory; and so, accepting PULLER'S
_al fresco_ hospitality, we form a cheerful group round two tables
put together for our accommodation. PULLER'S hospitality has taken the
form of grenadines, chartreuses, and "sherry-gobblers,"--he loves this
word too,--for us all round, and he has ordered for himself a strange
mixture, which perfumes the night air as if some nauseous draught
had been brought out of a chemist's shop, and which looks like green
stagnant water in a big glass. It is called by PULLER, with great
glee, an "Absinthe gummy."
Anything nastier to look at or to smell I am not acquainted with in
the way of drinks. However, he is our host, and I have a grenadine
before me of his ordering, and between my lips an excellent cigar
which is his gift. I can only say mildly, "It looks nasty;" and Cousin
JANE expresses herself to the same effect, remarking also as she looks
significantly towards me, that it is late, and that I am not keeping
Royat hours. I promise to come away in ten minutes. PULLER is in the
highest possible spirits: surrounded by this company, all drinking his
drinks, he as it were takes the chair and presides. He knocks on the
table, which brings the waiter, to whom he says, holding up a couple
of fingers "Two with you,"--whereat the waiter only smiles upon the
eccentric Englishman, shakes his head, and wisely retires.
"Ah, Miladi," says PULLER,
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