otism. Pygmalionism may also be included.

III. ACTS AND ATTITUDES.--_A. Active:_ Whipping, cruelty, exhibitionism.
_B. Passive:_ Being whipped, experiencing cruelty. Personal odors and the
sound of the voice may be included under this head. _C. Mixoscopic:_ The
vision of climbing, swinging, etc. The acts of urination and defecation.
The coitus of animals.

Although the three main groups into which the phenomena of erotic
symbolism are here divided may seem fairly distinct, they are yet very
closely allied, and indeed overlap, so that it is possible, as we shall
see, for a single complex symbol to fall into all three groups.

A very complete kind of erotic symbolism is furnished by Pygmalionism or
the love of statues.[12] It is exactly analogous to the child's love of a
doll, which is also a form of sexual (though not erotic) symbolism. In a
somewhat less abnormal form, erotic symbolism probably shows itself in its
simplest shape in the tendency to idealize unbeautiful peculiarities in a
beloved person, so that such peculiarities are ever afterward almost or
quite essential in order to arouse sexual attraction. In this way men have
become attracted to limping women. Even the most normal man may idealize a
trifling defect in a beloved woman. The attention is inevitably
concentrated on any such slight deviation from regular beauty, and the
natural result of such concentration is that a complexus of associated
thoughts and emotions becomes attached to something that in itself is
unbeautiful. A defect becomes an admired focus of attention, the embodied
symbol of the lover's emotion.

Thus a mole is not in itself beautiful, but by the tendency to
erotic symbolism it becomes so. Persian poets especially have
lavished the richest imagery on moles (_Anis El-Ochchaq_ in
_Bibliotheque des Hautes Etudes_, fasc, 25, 1875); the Arabs, as
Lane remarks (_Arabian Society in the Middle Ages_, p. 214), are
equally extravagant in their admiration of a mole.

Stendhal long since well described the process by which a defect
becomes a sexual symbol. "Even little defects in a woman's face,"
he remarked, "such as a smallpox pit, may arouse the tenderness
of a man who loves her, and throw him into deep reverie when he
sees them in another woman. It is because he has experienced a
thousand feelings in the presence of that smallpox mark, that
these feelings have been for the most part deli