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e: "Surely it is better to drink among the sand-heaps foul water mixed with pure than to venture on the sea." From Baghdad also he would carry home the Zoroastrian view (_quatrain_ 14) that night was primordial and the light created. As a contrast with these foreign importations, we have reference (_quatrain_ 15) to the lute, which was the finest of Arabian instruments. They said themselves that it was invented by a man who flourished in the year 500 B.C. and added an eighth string to the lyre. Certainly the Arab lute was popular among the Greeks: [Greek: arabion ar ego kekineka aulon], says Menander. It was carried to the rest of Europe by crusaders at the beginning of the twelfth century, about which time it first appears in paintings, and its form persisted till about a hundred years ago.[5] But with regard to travels (_quatrain_ 18), in the twenty-seventh letter of Abu'l-Ala, "I observe," says he, "that you find fault with travelling. Why so? Ought not a man to be satisfied with following the precedent set by Moses, who, when he turned towards Midyan, said, Maybe the Lord will guide me?" (Koran 28, 21). Should a man be satisfied with what he hears from the philosopher al-Kindi? "In any single existing thing, if it is thoroughly known, we possess," he said, "a mirror in which we may behold the entire scheme of things" (_quatrain_ 20). The same philosopher has laid it down that, "Verily there is nothing constant in this world of coming and going (_quatrain_ 24), in which we may be deprived at any moment of what we love. Only in the world of reason is stability to be found. If then we desire to see our wishes fulfilled and would not be robbed of what is dear to us, we must turn to the eternal blessings of reason, to the fear of God, to science and to good works. But if we follow merely after material possessions in the belief that we can retain them, we are pursuing an object which does not really exist." . . . And this idea of transitoriness prevails so generally among the Arabs that the salad-seller recommends his transitory wares to pious folk by calling, "God is that which does not pass away!" So, too, the Arab pictures as a bird, a thing of transience, the human soul. In Syria the dove is often carved upon their ancient tombstones. And the Longobards among their graves erected poles in memory of kinsfolk who had died abroad or had been slain in battle; on the summit of the pole was a wooden image of a dove, whos
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