FREE BOOKS

Author's List




PREV.   NEXT  
|<   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145  
146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   >>   >|  
harming presentation copy from Josephine of Voltaire's _Henriade_--What makes the interest in autographs--Ineptitudes--The reviewer's copy--Latter-day vandalism--Arms on books--Prefaces and Dedications--_Imprimaturs_. WHAT may be treated as the casual accessories of books of nearly all periods and countries--the autograph inscription testifying to the ownership or signalising a gift from one possessor to another--have manifold and diversified elements of interest and attraction. These features offer a graduated scale of importance, just as it happens. The question depends on the donor, or the recipient, or the article given and received; and where all these combine to augment the charm and to complete the spell, the issue is electrifying. No more impressive corroboration of this truth could well be desired or produced than the Henry VIII. _Prayer-Book_ of 1544 on vellum, from the Fountaine Collection, with the MSS. notes and autographs of the King, the Princess Mary, Prince Edward, and Queen Catherine Parr. It fetched about 600 guineas at Christie's in 1894. In the _Bibliographer_, _Bookworm_, and his own _Collections_, the writer has formerly assembled together notices of all the most remarkable examples of English books, both printed and in MS., with inscriptions, _marginalia_, and other records of prior and successive possession, brought within his reach during more than thirty years past. There are not unreasonably people who may not see in an ordinary copy of a volume much tangible interest, yet who are prepared to recognise the value, and even importance, of one with the autograph and memoranda of some illustrious personage, of some great warrior or statesman, or of a famous man of letters, artist, or sculptor. The accidental and secondary feature in the work takes precedence of the rest; he pays for the sentiment and association. The direct human interest resident in such a relic is apt, in the opinion of many, to surpass that of the finest binding; for one has here the very characters traced long ago by the holder; one can imagine him (or her) seated at the table engaged in the task of leaving to the times to come this memento. The book is the casual receptacle; perchance in itself it is of inconsiderable worth; but the manuscript accessions are as an embalmment and a sanctification. The copy is not as others; it has descended to us as a part of a precious inheritance, of which the mer
PREV.   NEXT  
|<   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145  
146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   >>   >|  



Top keywords:

interest

 

casual

 

importance

 

autograph

 
autographs
 

statesman

 

famous

 

warrior

 

letters

 

personage


possession

 

successive

 

sculptor

 

marginalia

 

inscriptions

 

records

 

illustrious

 

accidental

 

secondary

 

feature


artist
 

memoranda

 

thirty

 

precedence

 

people

 

unreasonably

 

ordinary

 

prepared

 

recognise

 

tangible


volume

 

brought

 

memento

 

receptacle

 

perchance

 

inconsiderable

 

seated

 

engaged

 
leaving
 

precious


inheritance

 
descended
 
accessions
 
manuscript
 
embalmment
 
sanctification
 
opinion
 

resident

 

sentiment

 

association