FREE BOOKS

Author's List




PREV.   NEXT  
|<   226   227   228   229   230   231   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250  
251   252   253   254   255   256   257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   >>   >|  
ll the whole story; at other times, call upon other children, or continue the story yourself. 6. If the story is a difficult one, do not ask for its reproduction until it is thoroughly understood. Make its meaning clear by skilful questioning, which with the answers makes an extremely valuable conversation lesson. 7. Encourage the use of beautiful expressions, of fine figures of speech. Do it by using such expressions yourself and by pointing them out in the story or poem you are using. 8. Beware of spoiling a beautiful poem or an elegant prose selection by poor reproduction. After the story has been related and the meaning made clear have the original read several times exactly as it is written and encourage the children to commit it to memory. There are in _Journeys Through Bookland_ many selections suitable for these oral lessons. For the little folks there are some of the _Nursery Rhymes_, of Volume I, like the following: _Little Boy Blue_, Page 33. _Mary, Mary, Quite Contrary_, Page 30. _Ladybird, Ladybird_, Page 12. _Little Bo-Peep_, Page 9. _Jack and Jill_, Page 27. _Poor Robin_, Page 16. _There Was a Jolly Miller_, Page 47. _Twinkle, Twinkle, Little Star_, Page 44. In the same class may be included those beautiful poems by Stevenson and Field, poems that every child loves and will be delighted to talk about. For instance, the following from the same volume: _The Swing_, Page 67. _Singing_, Page 83. _The Rock-a-by Lady_, Page 94. _My Bed is a Boat_, Page 126. _Foreign Lands_, Page 130. _Little Blue Pigeon_, Page 133. _The Land of Counterpane_, Page 144. _Norse Lullaby_, Page 246. _Where Go the Boats?_ Page 256. _Wynken, Blynken and Nod_, Page 262. _Keepsake Mill_, Page 349. _The Duel_, Page 384. The last list, however, includes many of those poems which must not be spoiled by childish re-telling. Use them for conversation subjects and then for reading or recitation. The fables will be found to provide excellent material, and there need be no fear of ruining their effect as literature: _The Lion and the Mouse_, Volume I, page 75. _The Wolf and the Crane_, I, 96. _The Lark and Her Young Ones_, I, 131. _The Cat and the Chestnuts_, I, 142. _The Sparrow and the Eagle_, Volume II, 8. Certain of the fairy stories are excellent; so are anecdotes concerning men of whom the children should know; historical tales, and stories about plants,
PREV.   NEXT  
|<   226   227   228   229   230   231   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248   249   250  
251   252   253   254   255   256   257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   >>   >|  



Top keywords:
Little
 

children

 

Volume

 
beautiful
 

conversation

 
Ladybird
 

excellent

 

expressions

 

reproduction

 

stories


Twinkle

 
meaning
 

Keepsake

 

Wynken

 

Blynken

 

Foreign

 

Singing

 

delighted

 

instance

 
volume

Counterpane

 

Pigeon

 
Lullaby
 

fables

 

Chestnuts

 

Sparrow

 

historical

 
plants
 

Certain

 
anecdotes

telling

 

subjects

 

childish

 

spoiled

 
includes
 

reading

 

recitation

 
effect
 

literature

 

ruining


provide

 
material
 

pointing

 

Beware

 

speech

 

Encourage

 

figures

 

spoiling

 

elegant

 

related