plays acted by the
New Company." See Stopes, "Shakespeare's Fellows and Followers," in
the Shakespeare _Jahrbuch_, XLVI, 99.]
[Footnote 602: Herbert Manuscript, Malone, _Variorum_, III, 240.]
On May 12, Beeston was arrested and brought before the Privy Council
for having allowed his Boys to act a play at the Cockpit during the
inhibition.[603] In his apology he explains this as follows:
"Petitioner being commanded to erect and prepare a company of young
actors for Their Majesties's service, and being desirous to know how
they profited by his instructions, invited some noblemen and
gentlemen to see them act at his house, the Cockpit. For which, since
he perceives it is imputed as a fault, he is very sorry, and craves
pardon."[604]
[Footnote 603: The Malone Society's _Collections_, I, 392.]
[Footnote 604: _The Calendar of State Papers, Domestic, 1636-1637_, p.
254.]
On September 17, 1637, "Christopher Beeston, His Majesty's servant, by
petition to the Board, showed that he hath many young actors lying
unpractised by reason of the restraint occasioned by infection of the
plague, whereby they are much disabled to perform their service, and
besought that they might have leave to practise. It was ordered that
Beeston should be at liberty to practise his actors at Michaelmas next
[September 29], if there be no considerable increase of the sickness,
nor that there die more than died last week."[605]
[Footnote 605: _Ibid._, _1637_, p. 420.]
On October 2, 1637, the plague having abated, all playhouses were
opened, and the King's and Queen's Boys, Herbert tells us, began to
play at the Cockpit "the same day."[606] Here, under the popular name
of "Beeston's Boys," they enjoyed a long and successful career, which
ended only with the prohibition of acting in 1642.
[Footnote 606: Malone, _Variorum_, III, 240.]
In 1639 Christopher Beeston died, and the position of Governor of the
Boys was conferred upon his son, William Beeston, who had long been
associated in the management of the company,[607] and who, if we may
believe Francis Kirkman, was admirably qualified for the position. In
dedicating to him _The Loves and Adventures of Clerico and Lozia_,
Kirkman says:
Divers times in my hearing, to the admiration of the whole
company, you have most judiciously discoursed of Poesie:
which is the cause I presume to choose you for my patron and
protector, who are the happiest interpreter and judge of
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