ion of a large number of books dealing with the topography of
London, and of the counties of Middlesex and Surrey, although a
knowledge of these is essential to any thorough study of the
playhouses. Furthermore, titles of contemporary plays, pamphlets, and
treatises are excluded, except a few of unusual and general value.
Finally, discussions of the structure of the early stage, of the
manner of dramatic performances in the time of Shakespeare, and of the
travels of English actors on the Continent are omitted, except when
these contain also material important for the study of the theatres.
At the close is appended a select list of early maps and views of
London.]

[Transcriber's Note: In the original book, the numbers of the entries
below are at the end of the entry at the right margin, preceded by a
single square bracket. For the sake of clarity, in this e-book the
entries below are numbered at the left margin without the bracket.]

*1. _Actors Remonstrance, or Complaint for the Silencing of their
Profession._ London, 1643. (Reprinted in W.C. Hazlitt's _The English
Drama and Stage_, and in E.W. Ashbee's _Facsimile Reprints_.)

*2. ADAMS, J.Q. The Conventual Buildings of Blackfriars, London, and
the Playhouses Constructed Therein. (The University of North Carolina
_Studies in Philology_, XIV, 64.)

3. ---- The Four Pictorial Representations of the Elizabethan Stage.
_(The Journal of English and Germanic Philology_, X, 329.)

*4. ---- _The Dramatic Records of Sir Henry Herbert, Master of the
Revels 1623-1673._ New Haven, 1917.

5. ---- Lordinge (_alias_ "Lodowick") Barry. (_Modern Philology_, IX,
567. See No. 189.)

6. ALBRECHT, H.A. _Das englische Kindertheater._ Halle, 1883.

7. ARCHER, T. _The Highway of Letters._ London, 1893. (Chap. XV,
"Whitefriars and the Playhouses.")

8. ARCHER, W. The Fortune Theatre. (The London _Tribune_, October 12,
1907; reprinted in _New Shakespeariana_, October, 1908, and in the
Shakespeare _Jahrbuch_, XLIV, 159. See also Nos. 8, 38, 61, 129.)

9. ---- A Sixteenth Century Playhouse. (_The Universal Review_, June,
1888, p. 281. Deals with the De Witt drawing of the Swan.)

10. ARONSTEIN, P. Die Organisation des englischen Schauspiels im
Zeitalter Shakespeares. (_Germanisch-Romanische Monatsschrift_, II,
165, 216.)

11. AUDI ALTERAM PARTEM. Cunningham's Extracts from the Revels' Books.
(_The Athenaeum_, 1911, II, 101, 130, 421; 1912, I, 469, 654; II, 143.
See Nos. 80, 179,