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nd his attempts at the facetious were mostly failures. Poe's magical creations were rootless flowers. He took no hold upon the life about him, and cared nothing for the public concerns of his country. His poems and tales might have been written _in vacuo_ for any thing American in them. Perhaps for this reason, in part, his fame has been so cosmopolitan. In France especially his writings have been favorites. Charles Baudelaire, the author of the _Fleurs du Mal_, translated them into French, and his own impressive but unhealthy poetry shows evidence of Poe's influence. The defect in Poe was in character, a defect which will make itself felt in art as in life. If he had had the sweet home feeling of Longfellow or the moral fervor of Whittier he might have been a greater poet than either. "If I could dwell Where Israfel Hath dwelt, and he where I, He might not sing so wildly well A mortal melody, While a bolder note than this might swell From my lyre within the sky!" {534} Though Poe was a southerner, if not by birth, at least by race and breeding, there was nothing distinctly southern about his peculiar genius, and in his wandering life he was associated as much with Philadelphia and New York as with Baltimore and Richmond. The conditions which had made the southern colonies unfruitful in literary and educational works before the Revolution continued to act down to the time of the civil war. Eli Whitney's invention of the cotton gin in the closing years of the last century gave extension to slavery, making it profitable to cultivate the new staple by enormous gangs of field hands working under the whip of the overseer in large plantations. Slavery became henceforth a business speculation in the States furthest south, and not, as in Old Virginia and Kentucky, a comparatively mild domestic system. The necessity of defending its peculiar institution against the attacks of a growing faction in the North compelled the South to throw all its intellectual strength into politics, which, for that matter, is the natural occupation and excitement of a social aristocracy. Meanwhile immigration sought the free States, and there was no middle class at the South. The "poor whites" were ignorant and degraded. There were people of education in the cities and on some of the plantations, but there was no great educated class from which a literature could proceed. And the culture of the Sou
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