lluded to displays, and with
what consummate skill he blends those peculiarities, the reader will have
the kindness to attach the criticism to either of the works (hereunder
catalogued) most agreeably to his fancy. It will be, moreover, shown that
this is a thoroughly impartial way of performing the operation of soft
anointment.

THE UNERRING FOR PORTRAITS ONLY:

Portrait of the miscreant who \
attempted to assassinate Mr. Macreath. |
VALENTINE VERMILION. |
|
Portrait of His Majesty the | The head is extremely
King of Hanover. | well painted, and the light
BY THE SAME. | and shade distributed with
| the artist's usual judgement.
Portrait of the boy who got into |
Buckingham Palace. |
GEOFFERY GLAZEM. | OR THUS:
|
Portrait of Lord John Russell. |
BY THE SAME. | An admirable likeness of
\ the original, and executed
Portrait of W. Grumbletone, Esq., / with that breadth and clearness
in the character of Joseph Surface. | so apparent in this clever
PETER PALETTE. | painter's works.
|
Portrait of Sir Robert Peel. |
BY THE SAME. | OR THUS:
|
Portrait of the Empress of Russia. |
VANDYKE BROWN. | A well-drawn and brilliantly
| painted portrait, calculated
Portrait of the infant Princess. | to sustain the fame already
BY THE SAME. | gained by this our favourite
| painter.
Portrait of Mary Mumblegums, |
aged 170 years. |
BY THE SAME. /

THE UNERRING FOR EVERY SUBJECT:

The Death of Abel. \
MICHAEL McGUELP. |
|
Dead Game. |
THOMAS TICKLEPENCIL. |
|
Vesuvius in Eruption.