chi's Trial-pieces--Comparison of Ghiberti
and Della Quercia--The Bas-reliefs of S. Petronio--Ghiberti's
Education--His Pictorial Style in Bas-relief--His Feeling for the
Antique--Donatello--Early Visit to Rome--Christian Subjects--Realistic
Treatment--S. George and David--Judith--Equestrian Statue of
Gattamelata--Influence of Donatello's Naturalism--Andrea Verocchio--His
David--Statue of Colleoni--Alessandro Leopardi--Lionardo's Statue of
Francesco Sforza--The Pollajuoli--Tombs of Sixtus IV. and Innocent
VIII.--Luca della Robbia--His Treatment of Glazed Earthenware--Agostino
di Duccio--The Oratory of S. Bernardino at Perugia--Antonio
Rossellino--Matteo Civitali--Mino da Fiesole--Benedetto da
Majano--Characteristics and Masterpieces of this Group--Sepulchral
Monuments--Andrea Contucci's Tombs in S. Maria del Popolo--Desiderio da
Settignano--Sculpture in S. Francesco at Rimini--Venetian
Sculpture--Verona--Guido Mazzoni of Modena--Certosa of Pavia--Colleoni
Chapel at Bergamo--Sansovino at Venice--Pagan Sculpture--Michael Angelo's
Scholars--Baccio Bandinelli--Bartolommeo Ammanati--Cellini--Gian
Bologna--Survey of the History of Renaissance Sculpture.
CHAPTER IV
PAINTING
Distribution of Artistic Gifts in Italy--Florence and Venice
--Classification by Schools--Stages in the Evolution of Painting--Cimabue
--The Rucellai Madonna--Giotto--His widespread Activity--The Scope of his
Art--Vitality--Composition--Colour--Naturalism--Healthiness--Frescoes at
Assisi and Padua--Legend of S. Francis--The Giotteschi--Pictures of the
Last Judgment--Orcagna in the Strozzi Chapel--Ambrogio Lorenzetti at
Pisa--Dogmatic Theology--Cappella degli Spagnuoli--Traini's "Triumph,
of S. Thomas Aquinas"--Political Doctrine expressed in Fresco--Sala della
Pace at Siena--Religious Art in Siena and Perugia--The Relation of the
Giottesque Painters to the Renaissance.
CHAPTER V
PAINTING
Mediaeval Motives exhausted--New Impulse toward Technical
Perfection--Naturalists in Painting--Intermediate Achievement needed
for the Great Age of Art--Positive Spirit of the Fifteenth
Century--Masaccio--The Modern Manner--Paolo Uccello--Perspective--Realistic
Painters--The Model--Piero della Francesca--His Study of Form--Resurrection
at Borgo San Sepolcro--Melozzo da Forli--Squarcione at Padua--Gentile da
Fabriano--Fra Angelico--Benozzo Gozzoli--His Decorative Style--Lippo
Lippi--Frescoes at Prato and Spoleto--Filippino Lippi--Sandro
Botticelli--His Val
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