FREE BOOKS

Author's List




PREV.   NEXT  
|<   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52  
53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   >>   >|  
or for science, that the necessary conditions for great art are wanting. Our deepest thoughts about the world and God are incapable of personification by any aesthetic process; they never enter that atmosphere wherein alone they could become through fine art luminous. For the painter, who is the form-giver, they have ceased to be shining stars, and are seen as opaque stones; and though divinity be in them, it is a deity that refuses the investiture of form. FOOTNOTES: [2] It may fairly be questioned whether that necessary connection between art and religion, which is commonly taken for granted, does in truth exist; in other words, whether great art might not flourish without any religious content. This, however, is a speculative problem, for present and the future rather than the past. Historically, it has always been found that the arts in their origin are dependent on religion. Nor is the reason far to seek. Art aims at expressing an ideal; and this ideal is the transfiguration of human elements into something nobler, felt and apprehended by the imagination. Such an ideal, such an all-embracing glorification of humanity only exists for simple and unsophisticated societies in the form of religion. Religion is the universal poetry which all possess; and the artist, dealing with the mythology of his national belief, feels himself in vital sympathy with the imagination of the men for whom he works. More than the painter is required for the creation of great painting, and more than the poet for the exhibition of immortal verse. Painters are but the hands, and poets but the voices, whereby peoples express their accumulated thoughts and permanent emotions. Behind them crowd the generations of the myth-makers; and around them floats the vital atmosphere of enthusiasms on which their own souls and the souls of their brethren have been nourished. [3] All Thy strength and bloom are faded: Who hath thus Thy state degraded? Death upon Thy form is written; See the wan worn limbs, the smitten Breast upon the cruel tree! Thus despised and desecrated, Thus in dying desolated, Slain for me, of sinners vilest, Loving Lord, on me Thou smilest: Shine, bright face, and strengthen me! [4] I am aware that many of my readers will demur that I am confounding Christianity with ascetic or monastic Christianity; yet I cannot read the New Testament, the _Imitatio Christi_, the _Conf
PREV.   NEXT  
|<   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52  
53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   >>   >|  



Top keywords:

religion

 

painter

 

Christianity

 

thoughts

 

atmosphere

 
imagination
 

belief

 

brethren

 

emotions

 

Behind


generations
 

floats

 

mythology

 

makers

 

national

 

permanent

 

enthusiasms

 
immortal
 

Painters

 

exhibition


nourished

 

painting

 

required

 

creation

 

peoples

 

sympathy

 
express
 
voices
 

accumulated

 
readers

strengthen

 

smilest

 

bright

 
Testament
 

Imitatio

 

Christi

 

confounding

 

ascetic

 
monastic
 

Loving


vilest

 

degraded

 

written

 

strength

 

dealing

 

desecrated

 
desolated
 
sinners
 

despised

 

smitten