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girl could only be sure she was destined for a stage career," said Mme. Homer, thoughtfully, "she might do many things from the start that she doesn't think of doing before she knows. "To go on with my Paris story. I kept faithfully at work for a year, preparing myself for I knew not just what; I could not guess what was in store. Then I got my first opera engagement, quite unexpectedly. I was singing for some professional friends in a large _saale_. I noticed a man standing with his back to me, looking out of one of the long windows. When I finished, he came forward and offered me an engagement at Vichy, for the summer season. The name Vichy only suggested to my mind a kind of beverage. Now I learned the town had a flourishing Opera House, and I was expected to sing eight roles. Thus my stage career began." WHAT ARE THE ASSETS FOR A CAREER? "And what must the girl possess, who wishes to make a success with her singing?" was asked. "First of all, as I have already said, she must have a voice; she can never expect to get very far without that. Voice is a necessity for a singer, but it rests with her what she will do with it, how she will develop it. "The next asset is intelligence; that is as great a necessity as a voice. For through the voice we express what we feel, what we are; intelligence controls, directs, shines through and illumines everything. Indeed what can be done without intelligence? I could mention a young singer with a good natural voice, who takes her tones correctly, who studies well; indeed one can find no fault with the technical side of her work; but her singing has no meaning--it says absolutely nothing; it only represents just so many notes." "That is because she has not a musical nature," put in Mr. Homer. "To my mind that is the greatest asset any one can have who wishes to become a musician in any branch of the art. What can be done without a musical nature? Of course I speak of the young singer who wishes to make a career. There are many young people who take up singing for their own pleasure, never expecting to do much with it. And it is a good thing to do so. It gives pleasure to their family and friends--is a healthful exercise, and last but not least, is financially good for the teacher they employ. "But the trouble comes when these superficial students aspire to become opera singers, after a couple of seasons' study. Of course they all cast eyes at the Metropolitan, as th
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