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The Project Gutenberg EBook of Vocal Mastery, by Harriette Brower This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Vocal Mastery Talks with Master Singers and Teachers Author: Harriette Brower Release Date: March 23, 2005 [EBook #15446] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK VOCAL MASTERY *** Produced by Chuck Greif and the Online Distributed Proofreading Team (http://www.pgdp.net). [Illustration: To Miss Harriette Brower Very Sincerely Enrico Caruso N.Y. 1919] VOCAL MASTERY TALKS WITH MASTER SINGERS AND TEACHERS COMPRISING INTERVIEWS WITH CARUSO, FARRAR, MAUREL, LEHMANN, AND OTHERS BY HARRIETTE BROWER Author of "Piano Mastery, First and Second Series," "Home-Help in Music Study," "Self-Help in Piano Study" WITH TWENTY PORTRAITS NEW YORK FREDERICK A. STOKES COMPANY PUBLISHERS 1917, by OLIVER DITSON COMPANY 1918, 1919, by THE MUSICAL OBSERVER COMPANY 1920, by FREDERICK A. STOKES COMPANY FOREWORD It has long been a cherished desire to prepare a series of Talks with famous Singers, which should have an equal aim with Talks with Master Pianists, namely, to obtain from the artists their personal ideas concerning their art and its mastery, and, when possible, some inkling as to the methods by which they themselves have arrived at the goal. There have been unexpected and untold difficulties in the way of such an undertaking. The greater the artist the more numerous the body-guard which surrounds him--or her; the more stringent the watch over the artist's time and movements. If one is able to penetrate this barrier and is permitted to see the artist, one finds usually an affable gentleman, a charming woman, with simple manners and kindly intentions. However, when one is fortunate enough to come in touch with great singers, one finds it difficult to draw from them a definite idea of the process by which they have achieved victory. A pianist can describe his manner of tone production, methods of touch, fingering, pedaling; the violinist can discourse on the bow arm, use of left hand, on staccato and pizzicati; but the singer is loath to describe his own instrument. And even
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