name among the artists here.

Elsner expressed his astonishment that Kalkbrenner should require three
years to reveal to Chopin the secrets of his art, and advised his
former pupil not to confine the exercise of his musical talent to
pianoforte-playing and the composition of pianoforte music. Chopin
replies to this in a letter written on December 14, 1831, as follows:--

In the beginning of last year, although I knew what I yet
lacked, and how very far I still was from equalling the model
I have in you, I nevertheless ventured to think, "I will
approach him, and if I cannot produce, a Lokietek ["the
short," surname of a king of Poland; Elsner had composed an
opera of that name], I may perhaps give to the world a
Laskonogi ["the thin-legged," surname of another king of
Poland]." To-day all such hopes are annihilated; I am forced
to think of making my way in the world as a pianist. For some
time I must keep in the background the higher artistic aim of
which you wrote to me. In order to be a great composer one
must possess, in addition to creative power, experience and
the faculty of self-criticism, which, as you have taught me,
one obtains not only by listening to the works of others, but
still more by means of a careful critical examination of
one's own.

After describing the difficulties which lie in the way of the opera
composer, he proceeds:--

It is my conviction that he is the happier man who is able to
execute his compositions himself. I am known here and there
in Germany as a pianist; several musical journals have spoken
highly of my concerts, and expressed the hope of seeing me
soon take a prominent position among the first pianoforte-
virtuosos. I had to-day anopportunity or fulfilling the
promise I had made to myself. Why should I not embrace it?...
I should not like to learn pianoforte-playing in Germany, for
there no one could tell me precisely what it was that I
lacked. I, too, have not seen the beam in my eye. Three
years' study is far too much. Kalkbrenner, when he had heard
me repeatedly, came to see that himself. From this you may
see that a true meritorious virtuoso does not know the
feeling of envy. I would certainly make up my mind to study
for three years longer if I were certain that I should then
reach the aim which I have kept in view. So much is clear to
me, I shall never become a copy of Kal