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office, but in the college and university classroom. There is no reason in the nature of things why our colleges and universities should not also be the centers of a concentrated and intensive activity, directed upon research and philosophic generalization in the things of music as in other fields of inquiry. For this they must provide libraries, endowments, and fellowships. Such works as Mr. Elson's _History of American Music_, Mr. Krehbiel's _Afro-American Folksongs_, and Mr. Kelly's _Chopin as a Composer_ should properly emanate from the organized institutions of learning which are able to give leisure and facility to men of scholarly ambition. The French musical historian, Jules Combarieu, enumerates as the domains constantly open to musical scholarship: acoustics, physiology, mathematics, psychology, aesthetics, history, philology, palaeography, and sociology.[100] Every one of these topics has already an indispensable place in the college and university system--it is for trained scholarship to draw from them the contributions that will relate music explicitly to the active life of the intellect. But not for the intellect only. Here the colleges are still in danger of error, due to their long-confirmed emphasis upon concepts, demonstrations, scientific methods, and "positive" results, to the neglect of the imagination, the emotions, the intuitions, and the things spiritually discerned. "The sovereign of the arts," says Edmund Clarence Stedman, "is the imagination, by whose aid man makes every leap forward; and emotion is its twin, through which come all fine experiences, and all great deeds are achieved. Youth demands its share in every study that can engender a power or a delight. Universities must enhance the use, the joy, the worth of existence. They are institutions both human and humane."[101] =The test of effective teaching of music in the college: Does it enrich the life of the student through the inculcation of an aesthetic interest?= Institutions which exclude the agencies which act directly to enhance "the joy and the worth of existence" are universities only in name. Equally imperfect are they if, while nominally accepting these agencies, they recognize only those elements in them which are susceptible to scientific analysis, whose effects upon the student can be tested by examinations and be marked and graded--elements which are only means, and not final ends. The college forever needs the huma
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