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dial reciprocity, implying "the will to be influenced." That it does so tally with this is proved by the existence of language. This medium of expression between living things does not seem to be confined to the human race. Some reciprocal harmony of energy, corresponding to our complex vision, seems to have created many mysterious modes of communication by which myriads of sub-human beings, and probably also myriads of super-human beings, act and react on one another. But the existence of language, though it excludes the possibility of absolute difference, does not, except by an act of faith, necessitate that any sensation we name by the same name is really identical with the sensation which another person feels. And this difficulty is much further complicated by the fact that words themselves tend in the process to harden and petrify, and in their hardening to form, as it were, solid blocks of accretion which resist and materially distort the subtle and evasive play of the human psychology behind them. So that not only are we aware that the word which we use does not necessarily represent to another what it represents to ourself, but we are also aware that it does not, except in a hard and inflexible manner, represent what we ourselves feel. Words tend all too quickly to become symbolic; and it is often the chief importance of what we call "genius" that it takes these inflexible symbols into its hands and breaks them up into pieces and dips them in the wavering waters of experience and sensation. Every philosopher should be at pains to avoid as far as possible the use of technical terms, whether ancient or modern, and should endeavour to evade and slip behind these terms. He should endeavour to indicate his vision of the world by means of words which have acquired no thick accretion of traditional crust but are fresh and supple and organic. He should use such words, in fact, as might be said to have the flexibility of life, and like living plants to possess leaves and sap. He should avoid as far as he can such metaphors and images as already carry with them the accumulated associations of traditional usage, and he should select his expressions so that they shall give the reader the definite impact and vivid shock of thoughts that leap up from immediate contact with sensation, like fish from the surface of a river. Just because words, in their passage from generation to generation, tend to become so hard
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