and Varius, your beloved
poets, disgrace your judgment of them, and the presents which they have
received with great honor to the donor; nor do the features of
illustrious men appear more lively when expressed by statues of brass,
than their manners and minds expressed by the works of a poet. Nor would
I rather compose such tracts as these creeping on the ground, than
record deeds of arms, and the situations of countries, and rivers, and
forts reared upon mountains, and barbarous kingdoms, and wars brought to
a conclusion through the whole world under your auspices, and the
barriers that confine Janus the guardian of peace, and Rome treaded by
the Parthians under your government, if I were but able to do as much as
I could wish. But neither does your majesty admit of humble poetry, nor
dares my modesty attempt a subject which my strength is unable to
support. Yet officiousness foolishly disgusts the person whom it loves;
especially when it recommends itself by numbers, and the art [of
writing]. For one learns sooner, and more willingly remembers, that
which a man derides, than that which he approves and venerates. I value
not the zeal that gives me uneasiness; nor do I wish to be set out any
where in wax with a face formed for the worse, nor to be celebrated in
ill-composed verses; lest I blush, when presented with the gross gift;
and, exposed in an open box along with my author, be conveyed into the
street that sells frankincense, and spices, and pepper, and whatever is
wrapped up in impertinent writings.
* * * * *
EPISTLE II.
TO JULIUS FLORUS.
_In apologizing for not having written to him, he shows that the
well-ordering of life is of more importance than the composition of
verses_.
O Florus, faithful friend to the good and illustrious Nero, if by chance
any one should offer to sell you a boy born at Tibur and Gabii, and
should treat with you in this manner; "This [boy who is] both
good-natured and well-favored from head to foot, shall become and be
yours for eight thousand sesterces; a domestic slave, ready in his
attendance at his master's nod; initiated in the Greek language, of a
capacity for any art; you may shape out any thing with [such] moist
clay; besides, he will sing in an artless manner, but yet entertaining
to one drinking. Lavish promises lessen credit, when any one cries up
extravagantly the wares he has for sale, which he wants to put off. No
emergency
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