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ngeing soles of feet. It is lambent annihilation. Sec. 3. The imagination seizes always by the innermost point. Such is always the mode in which the highest imaginative faculty seizes its materials. It never stops at crusts or ashes, or outward images of any kind, it ploughs them all aside, and plunges into the very central fiery heart, nothing else will content its spirituality, whatever semblances and various outward shows and phases its subject may possess, go for nothing, it gets within all fence, cuts down to the root, and drinks the very vital sap of that it deals with: once there it is at liberty to throw up what new shoots it will, so always that the true juice and sap be in them, and to prune and twist them at its pleasure, and bring them to fairer fruit than grew on the old tree; but all this pruning and twisting is work that it likes not, and often does ill; its function and gift are the getting at the root, its nature and dignity depend on its holding things always by the heart. Take its hand from off the beating of that, and it will prophesy no longer; it looks not in the eyes, it judges not by the voice, it describes not by outward features, all that it affirms, judges, or describes, it affirms from within. Sec. 4. It acts intuitively and without reasoning. It may seem to the reader that I am incorrect in calling this penetrating, possession-taking faculty, imagination. Be it so, the name is of little consequence; the faculty itself, called by what name we will, I insist upon as the highest intellectual power of man. There is no reasoning in it, it works not by algebra, nor by integral calculus, it is a piercing, Pholas-like mind's tongue that works and tastes into the very rock heart, no matter what be the subject submitted to it, substance or spirit, all is alike, divided asunder, joint and marrow, whatever utmost truth, life, principle, it has, laid bare, and that which has no truth, life, nor principle, dissipated into its original smoke at a touch. The whispers at men's ears it lifts into visible angels. Vials that have lain sealed in the deep sea a thousand years it unseals, and brings out of them Genii. Every great conception of poet or painter is held and treated by this faculty. Every character that is so much as touched by men like Aeschylus, Homer, Dante, or Shakspeare, is by them held by the heart; and every circumstance or sentence of their being, speaking, or seeming, is seized
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