t it; or by joining of two bodies together as in
angels' wings. Of all which means of attaining supernatural character
(which though, in their nature ordinary and vulgar, are yet effective
and very glorious in mighty hands) we have already seen the limits in
speaking of the imagination.
Sec. 5. Or by inherent Dignity.
But the second means of obtaining supernatural character is that with
which we are now concerned, namely, retaining the actual form in its
full and material presence, and without aid from any external
interpretation whatsoever, to raise that form by mere inherent dignity
to such a pitch of power and impressiveness as cannot but assert and
stamp it for superhuman.
On the north side of the Campo Santo at Pisa, are a series of paintings
from the Old Testament History by Benozzo Gozzoli. In the earlier of
these, angelic presences, mingled with human, occur frequently,
illustrated by no awfulness of light, nor incorporeal tracing. Clear
revealed they move, in human forms, in the broad daylight and on the
open earth, side by side, and hand in hand with men. But they never miss
of the angel.
He who can do this has reached the last pinnacle and utmost power of
ideal, or any other art. He stands in no need thenceforward, of cloud,
nor lightning, nor tempest, nor terror of mystery. His sublime is
independent of the elements. It is of that which shall stand when they
shall melt with fervent heat, and light the firmament when the sun is as
sackcloth of hair.
Sec. 6. 1st. Of the expression of Inspiration.
Let us consider by what means this has been effected, so far as they are
by analysis traceable; and that is not far, for here, as always, we find
that the greater part of what has been rightly accomplished has been
done by faith and intense feeling, and cannot, by aid of any rules or
teaching, be either tried, estimated, or imitated.
And first, of the expression of supernatural influence on forms actually
human, as of sibyl or prophet. It is evident that not only here is it
unnecessary, but we are not altogether at liberty to trust for
expression to the utmost ennobling of the human form: for we cannot do
more than this, when that form is to be the actual representation, and
not the recipient of divine presence. Hence, in order to retain the
actual humanity definitely, we must leave upon it such signs of the
operation of sin and the liability to death as are consistent with
human ideality, and ofte
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